Music

1916 results
Page 74
Doin' the sarabande.

Tempesta di Mare closes their season

Baroque theaters and modern cathedrals

The music season ended with Tempesta di Mare’s latest visit to Baroque France and an unexpected bonus from Lyric Fest’s artistic directors.
Tom Purdom

Tom Purdom

Articles 3 minute read
Charlie’s first wife (Chrystal E. Williams) sings about Charlie (Lawrence Brownlee) abandoning her and their son. (Photo by Dominic M. Mercier)

Opera Philadelphia's 'Yardbird' (first review)

A contradictory enterprise

Yardbird composer Daniel Schnyder went well beyond 1930s popular music (the legacy that Parker and cohorts unabashedly used as a foil to create the new bebop jazz) to create a unique synthesis of many other musical ingredients and flavors.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
Liverman and Brownlee sing “Bebop’s Gonna Change the World.” (Photo by Dominic M. Mercier)

Opera Philadelphia's 'Yardbird' (second review)

Bird Lives!

Yardbird is a profoundly moving and extraordinary musical experience that works on every level imaginable.
Bruce Klauber

Bruce Klauber

Articles 2 minute read
Bird (Lawrence Brownlee) in Birdland. (Photo by Dominic M. Mercier.)

Opera Philadelphia's 'Yardbird' (third review)

Ill-conceived hagiography

It’s possible to love jazz and classical music; I’ve done so for most of my life, as has Yardbird's composer. He created an intriguing combination of the two genres, but it has problems of another sort.
Steve Cohen

Steve Cohen

Articles 3 minute read
Sinatra, with Italian actress Alida Valli, on Armed Forces Radio in the 1940s.

Frank Sinatra: An appreciation

It was a very good life

This year, the world is celebrating the 100th anniversary of the birth of Frank Sinatra, who was born to make music using the latest media to bring his performances to the masses. Like all great artists, he was consumed by an ambition that knew no bounds — after mastering the media of his time, he went on to transform them into something no one could have imagined.
Armen Pandola

Armen Pandola

Articles 5 minute read
Keep your eye on the guy at the back. (Photo courtesy of Dolce Suono)

Dolce Suono: Música en tus Manos

Trios and boleros

The Dolce Suono Ensemble bounced through a century of Latin-American concert and popular music, with a little help from some Philadelphia public school students.
Tom Purdom

Tom Purdom

Articles 4 minute read
James Freeman explains George Crumb to students at West Virginia University. (Photo via orchestra2001.blogspot.com)

James Freeman, Alan Harler, and Margaret Garwood

Thanks for the memories

The music season ends with the retirement of two creative music directors and the death of a leading Philadelphia composer.
Tom Purdom

Tom Purdom

Articles 5 minute read
An angelic shawm: "Assumption of the Virgin," detail, Frei Carlos (1517-40)

On not knowing what to say

Memorial Day

Kile Smith considers becoming a composer by not trying to be important.
Kile Smith

Kile Smith

Articles 5 minute read
Batiashvili: Almost impossible to play. (Photo: Mat Henek.)

The end of the Philadelphia Orchestra's 2014-15 season

The violin in the drawer

The Russians had the last word for the 2014-15 Orchestra season, with a major concerto and a symphony following an American premiere.
Robert Zaller

Robert Zaller

Articles 5 minute read
Cipriano de Rore: Actually, he's not a fourth-division Italian soccer player.

Piffaro and Laughing Bird celebrate Cipriano de Rore

Who is Cipriano de Rore? And why are we giving him a birthday party?

Piffaro celebrated a 16th-century master who’s been neglected by the early music movement.
Tom Purdom

Tom Purdom

Articles 3 minute read