Music

1919 results
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A book for all people who use their voice. (Image courtesy of Barcelona Publishing.)

‘The Use of Voice in Music Therapy’ by Kelly Meashey

Long live every voice

‘The Use of Voice in Music Therapy,’ the first book from Philadelphia jazz singer Kelly Meashey, teaches singers and clinicians alike how to connect with an audience. Suzanne Cloud reviews.
Suzanne Cloud

Suzanne Cloud

Articles 4 minute read
The Relâche ensemble in the late 1980s and early 90s: Kathleen Carroll, Chuck Holdeman, Laurel Wyckoff, Doug Mapp, John Dulik, Lloyd Shorter, Helen Carnivale, and Ken Ulansey. (Photo courtesy of Joe Franklin.)

A dance critic’s musical journey

The relâche summer

With stages dark around the world, dance critic Merilyn Jackson remembers the path of her musical education, rooted in the sounds of Philadelphia.
Merilyn Jackson

Merilyn Jackson

Articles 5 minute read
This offering from longtime composer colleagues James Primosch and John Harbison has some major musical contributions. (Image courtesy of Albany Records.)

Albany Records presents ‘Descent/Return: Music of John Harbison and James Primosch’

A musical friendship

An album of music for solo piano and songs for soprano includes works by long-time Penn faculty member James Primosch, as well as music from one of his revered mentors, John Harbison. Peter Burwasser reviews.

Peter Burwasser

Articles 3 minute read
Baritone Grant Youngblood made his parking-lot debut with OperaDelaware’s ‘Drive-Through Arias.’ (Photo by Gail Obenreder.)

OperaDelaware presents ‘Drive-Through Arias’

The drive to listen

OperaDelaware made its first foray into pandemic-era performance with ‘Drive-Through Arias,’ a three-performance program featuring a trio of singers bringing opera’s greatest hits to the parking lot. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Articles 3 minute read
‘Carthage’ is The Crossing’s tribute to Philly composer James Primosch. (Image courtesy of Navona Records; artwork by Steven Bradshaw.)

The Crossing presents ‘Carthage’

A journey you must take

‘Carthage,’ the latest recording from The Crossing, dwells on spirituality and doubt and musical riches. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Articles 4 minute read
Boldly harnessing the organ at Notre Dame Cathedral: composer Gerald Levinson with organist Olivier Latry rehearsing for the 2013 premiere of ‘Au Coeur de l’Infini.’ (Photo by Nanine Valen.)

‘Now Your Colors Sing’ by Gerald Levinson

A 48-year suite

A new double album from Swarthmore-based composer Gerald Levinson is a retrospective of a leading light of the Philadelphia new-music scene and beyond, bursting with bright hues and grand sonorities.

Peter Burwasser

Articles 3 minute read
Texture, wit, and whimsy: Andrew Rudin in the early 1970s, when he was composing the works now on ‘Synthesizer Pioneer.’ (Image courtesy of the artist.)

‘Synthesizer Pioneer: The Early Electronic Music of Andrew Rudin’ from Centaur Records

When the Moog was young

‘Synthesizer Pioneer’ from Centaur Records offers a survey of the quirky music for Moog Synthesizer from veteran Philadelphia composer Andrew Rudin. Peter Burwasser reviews.

Peter Burwasser

Articles 3 minute read
Boundary-pushing premieres like ‘We Shall Not Be Moved’ will be accessible online. (Image courtesy of Opera Philadelphia.)

Opera Philadelphia goes online with five major streams for Digital Festival O

Opera on your couch

With its spring season canceled and its return date uncertain, Opera Philadelphia moves to make five recent productions available for streaming. Cameron Kelsall considers.
Cameron Kelsall

Cameron Kelsall

Articles 5 minute read
This world-premiere recording from DSO and Brasil Guitar Duo is a gorgeous combo of guitar and orchestra. (Image courtesy of Naxos Records.)

DSO and Brasil Guitar Duo present ‘The Book of Signs’ and ‘Concerto Caboclo’

A showcase for solo and symphony

Music of our times, for our times: Gail Obenreder reviews an album from the Delaware Symphony Orchestra featuring stellar solo sounds from Brasil Guitar Duo.
Gail Obenreder

Gail Obenreder

Articles 4 minute read
Plenty of Philly Beethoven fans are disappointed to miss this spring’s special roster of birthday concerts. (Photo by Alaina Johns.)

Lockdown reminds us Beethoven’s chamber music isn’t only for professionals

Beethoven and the amateurs

The COVID-19 pandemic halted not only the celebration of Beethoven’s 250th birthday, but also music-making within the amateur community. Public concert series are unlikely to be rescheduled, but David W. Webber promises that amateurs will take up the celebration again.
David W. Webber

David W. Webber

Articles 4 minute read