Music

1916 results
Page 158
Dutoit: A stifling glaze.

Orchestra's season finale

Odd couple: The Orchestra's difficult season ends

The Philadelphia Orchestra ended its season with a program that unprofitably yoked Debussy's meandering composite, Images, with the Shostakovich Fifth Symphony. The latter, though unevenly played, sent the musicians home with a standing ovation that, one hopes, will leave them with a final good memory of what has been a difficult year.
Robert Zaller

Robert Zaller

Articles 4 minute read
Mumford as Lucretia: In her downfall, the birth of democracy.

Opera Company's "Rape of Lucretia' (1st review)

Raping Lucretia, raping Europa

The Opera Company of Philadelphia's deft staging of Benjamin Britten's The Rape of Lucretia is both a welcome revival of a pioneering work of chamber opera and, in the midst of our own current wars, a timely reminder of man's inhumanity to man.
Robert Zaller

Robert Zaller

Articles 3 minute read
Nally: Quality, right down to the details.

The Crossing's unique niche

Class act

Donald Nally's choir, The Crossing, occupies a unique niche in the musical ecosystem: Its singers perform new and unfamiliar music for a small chamber choir. It presents novel, beautiful, complex music that requires precise coordination and first-class voices.
Tom Purdom

Tom Purdom

Articles 4 minute read
Nany Bean: Consider giving this group a try.

1807 & Friends season finale

The Archduke also rises

Three of the city's most active chamber musicians transmit a chronic infection to their audience.
Tom Purdom

Tom Purdom

Articles 4 minute read
Zlatkovski: Performer, scholar and impresario too.

Harp Music Festival's third edition

What Fellini and John Williams knew about the harp

Harpist Saul Davis Zlatkovski mounted the third edition of his welcome addition to the fading days of the Philadelphia music season. Zlatkovski has put some impressive organizational work into this project, but he can use help with the administrative details.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pitcairn: Working with a winner.

Orchestra 2001: Three composers, four soloists

The surprising 20th Century

Orchestra 2001 ended its season with a program guaranteed to please most audiences: four attractive concertos featuring four first-class soloists.
Tom Purdom

Tom Purdom

Articles 4 minute read

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Josefowicz: Fashion statement.

Philadelphia Orchestra's eclectic program

The turn of two centuries: Three Romantics and a modern

Guest conductor David Robertson, in an eclectic Philadelphia Orchestra program, offered three works of a century ago, and one of our own moment: the Philadelphia premiere of Thomas Ades's impressive new Violin Concerto, with Leila Josefowicz.
Robert Zaller

Robert Zaller

Articles 6 minute read
Franz as Siegfried: The Wild West on the Rhine.

Wagner's "Ring' cycle (Part 5: "Siegfried')

Siegfried: Wagner's All-American boy

Wagner's Siegfried is a dumb, muscular bully”“ a hard fellow to like. But 19th-Century Americans had no such problem: Wagner deliberately created an aggressive modern man who defies all the rules of the past, just like the Americans who were boldly opening the West by pushing aside everything that stood in their way.
Steve Cohen

Steve Cohen

Articles 7 minute read
Solzhenitsyn: End of the adventure?

Chamber Orchestra turns cautious

Et tu, Chamber Orchestra? Or: The bland leading the bland

After two seasons of adventurous programming, the Chamber Orchestra of Philadelphia has reacted to hard economic times with a coming season that will offend nobody. Symphonic repertory in Philadelphia has become the musical equivalent of the menu at a high-end retirement community: pretty good, meal by meal, but deadly dull over the long run.
Dan Coren

Dan Coren

Articles 6 minute read
Kalichstein, Laredo, Robinson: Nimble, but not as advertised.

Kalichstein-Laredo-Robinson Trio at the Perelman

Enormous changes at the last minute

A late cancellation turned what promised to be an unusual and intriguing program of trios— with clarinet, horn, and piano joining the strings— into more ordinary fare. But the Kalichstein-Laredo-Robinson Trio, with guest Ricardo Morales, performed with the aplomb of a fine veteran group in works by Beethoven, Mendelssohn, and Tchaikovsky.
Robert Zaller

Robert Zaller

Articles 3 minute read