Music

1933 results
Page 158
Stravinsky: 'Awesome example.'

Composing vs. writing; Moalem vs. Coren (contd.)

A further exchange: The young composer and the older critic

Continuing their debate about composing music and writing about it, Beeri Moalem and Dan Coren find some common ground, and also some flaws in BSR as an appropriate vehicle.

Be'eri Moalem

Articles 4 minute read
Bill Evans (left), with Tony Bennett, 2006: Miles Davis would disagree.

Composing vs. writing about music (a reply)

Composing music vs. writing about it: A critic replies (again) to Beeri Moalem

If I had Beeri Moalem's talent and vision as a composer and player, I wouldn't even bother to write about music. But when you're expressing ideas, you must accept a certain amount of responsibility for facts.
Dan Coren

Dan Coren

Articles 3 minute read
J.S. Bach (left) and three sons: Talk about a confusing family!

A composer's response

The young composer's struggle: A reply to Dan Coren

The young and opinionated composer Beeri Moalem responds to assorted nitpicks from BSR's critic Dan Coren, as well as to Coren's larger question: What, exactly, is the struggle of a young composer today?

Be'eri Moalem

Articles 6 minute read
Dad: Childhood exposure failed to stick.

A dentist's musical Odyssey

A music lover's Odyssey: What my dad learned from his children

Most people develop a taste for serious music because their parents push them into it. In the case of my Dad the dentist, the opposite was true: He was introduced to classical music by his kids, albeit inadvertently.
Maria Thompson Corley

Maria Thompson Corley

Articles 9 minute read
Consort founder John Fowler: A message for funding agencies.

Buxtehude Consort's religious cantatas

The case for summer music

In the last few years Philadelphia's music season has grown steadily shorter— until this year. Half a dozen music groups extended their seasons into June, and the Buxtehude Consort made its debut in a perfect setting. Good news for tourists and musicians alike.
Tom Purdom

Tom Purdom

Articles 3 minute read
The young Sinatra was 'touched by her genius.'

Billie Holiday after 50 years

She never wasted a note: Music's debt to Billie Holiday

Billie Holiday was less of a “pop star” (and much more of a true artist) than the likes of Frank Sinatra, Elvis Presley and Michael Jackson. But I would argue that Billie Holiday deserves equal recognition as an icon of American music, and her legacy is timeless.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
C.P.E. Bach: Even Mozart couldn't keep up with him.

Composing music: A reply to Beeri Moalem

So you want to write about composing? A critic's reply to Beeri Moalem

Dan Coren, responding to Beeri Moalem's recent article, “So You Want To Compose Serious Music?”, finds it “a mishmash of half-baked ideas and some very odd perceptions of music history.”
Dan Coren

Dan Coren

Articles 5 minute read
Jóhann Jóhannsson: Abstract, yes, but with an emotional core.

Something different: Ambient/space music

The music that dare not speak its name (because no one can pin it down)

Beethoven was inspired by Napoleon; now meet ambient/space music composer Jóhann Jóhannsson, who's inspired by Henry Ford. His genre is hard to define, but it can be challenging, inspiring, soothing, sometimes disturbing and often beautiful. And Philadelphia has become a center for this misunderstood innovative form of music.
Mark Wolverton

Mark Wolverton

Articles 5 minute read

Sign up for our newsletter

All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.

Philadelphia Orchestra with Curtis soloists

Big names (of the future) at the Mann

Instead of big-name soloists at the Mann, last week the Philadelphia Orchestra spotlighted students from Curtis Institute. The collaboration must have looked like an attractive way to save money, but the product was by no means inferior.
Tom Purdom

Tom Purdom

Articles 4 minute read
Gallant: Singers who can act.

Concert Operetta's "A Waltz Dream'

The good old days of central Europe

Philadelphia's Concert Operetta Theater has evolved to the point where its offerings can be counted on for excellent singing and emotionally satisfying performances. This is quite an accomplishment for a genre once thought to have died with the monarchies of middle Europe.
Steve Cohen

Steve Cohen

Articles 3 minute read