Pianist Anna Polonsky at Fleisher

Polonsky aroused

The pianist Polonsky brings a determined personality to the keyboard, and her attack is so concentrated, and so vivid, that at one point the rocking of her body brought a flashback of the New Wave band Devo to mind.

Michael Woods

Nov 28, 2009 · Articles · 2 minute read

Verdi's "Falstaff' by the Academy of Vocal Arts

An intimate Falstaff

Can a mere 17 voices (and no chorus) do justice to Falstaff? As the Academy of Vocal Arts demonstrates, Verdi's last masterpiece is an opera that benefits from intimacy.

Steve Cohen

Nov 22, 2009 · Articles · 3 minute read

Eschenbach conducts Mahler's Seventh

Mahler's mystery (and Eschenbach's)

Gustav Mahler's seldom-performed Seventh Symphony lacks— or deliberately eschews— the narrative drive that makes his symphonies popular, but its appearance in Christoph Eschenbach's assured performance was all the more welcome for its rarity. Make of it what you will, the music is glorious and the invention unflagging.

Robert Zaller

Nov 21, 2009 · Articles · 5 minute read

Dolce Suono: From Clearfield to Mozart

Grace and substance at the Art Museum

Dolce Suono presents a program that ranges from Mozart to Clearfield and glows from start to finish.

Tom Purdom

Nov 17, 2009 · Articles · 2 minute read

Piffaro's "Portuguese Vespers'

‘God's musicians come from Portugal'

Piffaro presents a historically accurate Vesper service that combines good-humored Portuguese nationalism with a tribute to the Virgin Mary.

Tom Purdom

Nov 17, 2009 · Articles · 3 minute read

Classical Symphony's 19th-Century musicale

Pregnant girlfriends, and other 19th-Century curiosities

Karl Middleman presents a 21st- Century version of a 19th-Century event that acquired a history without actually taking place.

Tom Purdom

Nov 17, 2009 · Articles · 3 minute read

Philadelphia Singers: A lesson in economy

Like Hemingway in music

The Philadelphia Singers have largely abandoned the Baroque and classic choral repertoire to focus on more modern scores. Their first concert this season produced a triumph for the new approach, as well as a four-part lesson in the relationship between music and words.

Tom Purdom

Nov 10, 2009 · Articles · 4 minute read

Musicians and money

The art of the musical deal

No one goes into a musical career for the money, but even passionate musicians need to eat, as I was reminded when I bargained with a dedicated amateur clarinetist named Tom Sanders.

Maria Thompson Corley

Nov 07, 2009 · Articles · 7 minute read

Jurowski awakens the Orchestra

The buzz is back

The combination of Vladimir Jurowski's inspired Slavic programming and the exciting young Armenian violinist Sergey Khachatryan generated the sort of intermission buzz that hasn't been heard at Philadelphia Orchestra concerts for a good while.

Steve Cohen

Nov 07, 2009 · Articles · 2 minute read

The Orchestra's strange new "Collections'

If it's Tuesday, these must be Masterworks

As the result of a survey three years ago, the Philadelphia Orchestra now offers subscribers four “collections” of concerts. But the guidelines for each “collection” seem arbitrary, if not amorphous.

Steve Cohen

Nov 07, 2009 · Articles · 2 minute read