Music

1916 results
Page 153
Glandorf: Up from the earthquake.

Piffaro's "Portuguese Vespers'

‘God's musicians come from Portugal'

Piffaro presents a historically accurate Vesper service that combines good-humored Portuguese nationalism with a tribute to the Virgin Mary.
Tom Purdom

Tom Purdom

Articles 3 minute read
Hamilton: An understanding touch.

Classical Symphony's 19th-Century musicale

Pregnant girlfriends, and other 19th-Century curiosities

Karl Middleman presents a 21st- Century version of a 19th-Century event that acquired a history without actually taking place.
Tom Purdom

Tom Purdom

Articles 3 minute read
Martin in Geneva, 1928: Words mean something too.

Philadelphia Singers: A lesson in economy

Like Hemingway in music

The Philadelphia Singers have largely abandoned the Baroque and classic choral repertoire to focus on more modern scores. Their first concert this season produced a triumph for the new approach, as well as a four-part lesson in the relationship between music and words.
Tom Purdom

Tom Purdom

Articles 4 minute read
Tom Sanders: One last chance?

Musicians and money

The art of the musical deal

No one goes into a musical career for the money, but even passionate musicians need to eat, as I was reminded when I bargained with a dedicated amateur clarinetist named Tom Sanders.
Maria Thompson Corley

Maria Thompson Corley

Articles 7 minute read

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Khachatryan: Intimate effect.

Jurowski awakens the Orchestra

The buzz is back

The combination of Vladimir Jurowski's inspired Slavic programming and the exciting young Armenian violinist Sergey Khachatryan generated the sort of intermission buzz that hasn't been heard at Philadelphia Orchestra concerts for a good while.
Steve Cohen

Steve Cohen

Articles 2 minute read
Would you call Carl Nielsen a 'traditional' composer?

The Orchestra's strange new "Collections'

If it's Tuesday, these must be Masterworks

As the result of a survey three years ago, the Philadelphia Orchestra now offers subscribers four “collections” of concerts. But the guidelines for each “collection” seem arbitrary, if not amorphous.
Steve Cohen

Steve Cohen

Articles 2 minute read
Falletta: Can't women conduct Beethoven?

Critic's Notebook: Five concerts

Immersed in the musicsphere: A critic's notebook

Eight days, five concerts. If a music critic like me blogged or twittered, here's what I'd say.
Tom Purdom

Tom Purdom

Articles 5 minute read
Watts: What Liszt really wanted.

Andre Watts Plays Schubert and Liszt

A former child prodigy's brilliant autumn

On an otherwise dreary Sunday afternoon, Andre Watts lit up the musical world with stellar performances of piano works by two stylistically different composers. Among other achievements, Watts brought out a depth in Liszt that few performers have accomplished.
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read
Boenau: A rare turn in the spotlight.

Tempesta di Mare: Telemann vs. Bach

Score one for the underdog

George Philip Telemann, the also-ran of Baroque composers, goes up against the heavyweight champ (Bach) and scores a rare knockout.

Articles 3 minute read
Jaho, Honeywell: Just the right voice for a 15-year-old.

Opera Company's "Madame Butterfly' (2nd review)

Butterfly, improved yet again

This Butterfly was perhaps the most beautiful I've ever seen. Virtually everything about it suits the legend and never intrudes on the story. I have only two quibbles.
Steve Cohen

Steve Cohen

Articles 4 minute read