Music
1926 results
Page 151
Guitarists Kaukonen and Bromberg at the Keswick
Pickin' on the blues
Two great guitarists revisit their musical roots in an evening of virtuoso finger-picking.
Articles
3 minute read
Black audiences and classical music
A cure for ailing orchestras: Consider the black audience
In theory, black people don't like classical music. It's a fallacious theory, as I can attest, but it often becomes a self-fulfilling prophecy. Now a visionary Philadelphia conductor is demonstrating that a classical orchestra can thrive by looking beyond racial stereotypes.
Articles
4 minute read
Pianist Robert Levin with the Orchestra
Inside Mozart's brain
Last weekend's unexpected treat was the pianist Robert Levin, a Harvard humanities professor endowed with the mind of a composer as well as a very entertaining teacher, who took the Philadelphia Orchestra's audience on an exuberant journey inside Mozart's mind.
Articles
3 minute read
The Who across the generations
Adolescence revisited: My lifelong journey with The Who
For more than 30 years the legendary British band The Who has guided me through the vicissitudes of adolescence and adulthood. Now The Who is preparing to play the Super Bowl. Can I share my personal heroes with the rest of the world?
Articles
5 minute read
Dolce Suono's Barber celebration (2nd review)
A composer with a foot in two camps
With a little help from three of Samuel Barber's protégés, Dolce Suono afforded a glimpse into the confluence of traditional and modern idioms that was Barber's hallmark.
Articles
3 minute read
Met's "Carmen' — the HD theatrical version
Swept away by those movie close-ups
My reservations about the Metropolitan Opera's new production of Carmen were swept away when I saw the luscious Latvian mezzo Elina Garanca on a big movie screen.
Articles
3 minute read
Orchestra tackles Mahler and Strauss
Romanticism's swan song
Replacement conductor Juanjo Maena performed the scheduled Adagio of Mahler's great but incomplete Tenth Symphony and Richard Strauss's Four Last Songs, but substituted mid-period Beethoven for mid-period Martinu. The results were mixed, with Strauss faring best but sluggish tempos marring the Mahler and Beethoven.
Articles
6 minute read
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Dolce Suono's Barber celebration (1st review)
He did it his way
Dolce Suono and the Curtis Institute celebrated the 100th birthday of an odd kind of iconoclast—- an individualist who refused to enlist in the avant-garde.
Articles
4 minute read
Metropolitan Opera's new "Carmen'
Carmen's biggest challenge: Up against Franco's fascists
The Metropolitan Opera's new production of Carmen, set in fascist Spain of the 1930s, contains three outstanding elements: its Carmen, its Don José and its conductor. Their relative importance may well be in reverse order.
Articles
5 minute read
Chamber Music Society's all-Schubert program
With a little help from Schubert's friends
For its all-Schubert program, the Philadelphia Chamber Music Society had to replace two of its scheduled soloists. No problem, because that's pretty much the way Schubert himself got started.
Articles
3 minute read