Music

1916 results
Page 147
Urmana, Abdrazakov: 'Leave Italy for me!'

Muti conducts Verdi's "Attila' at the Met

Muti to the rescue

Riccardo Muti is pumping new excitement into Attila, one of Verdi's weakest operas— which, like Muti himself, hasn't previously appeared at the Met.
Steve Cohen

Steve Cohen

Articles 4 minute read
Sanders, Cedel: Let the bed do the acting. (Photo: Lenoe Doxsee.)

Barber's "Antony and Cleopatra' by Curtis

Barber's Edsel bounces back

The Curtis Opera has revived the Edsel of American operas, Samuel Barber's ill-fated Antony and Cleopatra. It's a welcome opportunity to reconsider a work that, despite abiding flaws, has too much musical value to ignore.
Robert Zaller

Robert Zaller

Articles 7 minute read
Jurowski: Playing it safe, and then...

Jurowski ignites the Orchestra (1st review)

The answer to the Orchestra's problems?

Maestro Vladimir Jurowski attracted a full house to the Philadelphia Orchestra and generated wild enthusiasm by the end. This charismatic young conductor could hold the key to the struggling Orchestra's future.
Steve Cohen

Steve Cohen

Articles 2 minute read
Paulo Szot as Kovalyov: A dangerously liberated appendage.

Shostakovich's "The Nose' at the Met

What The Nose knows (and William Kentridge doesn't)

After 80 years, Dmitri Shostakovich's early satirical opera, The Nose, is at last getting its premiere at the Metropolitan Opera. The cast and orchestra perform with élan, but William Kentridge's overbearing production threatens to hijack the proceedings.
Robert Zaller

Robert Zaller

Articles 5 minute read
Mack: A tide finally turning?

Elaine Mack's "Black Classical Musicians'

Musicians who crossed the color line

Does classical music belong only to whites of European descent? Elaine Mack's interviews with black classical musicians, past and present, are at once inspiring and dismaying.
Maria Thompson Corley

Maria Thompson Corley

Articles 3 minute read
Castaldo: The words are irrelevant.

Choral Arts Society sings Castaldo's "Ancient Liturgy'

Beyond religion, beyond language

Can the rituals of an obsolete religion teach us anything about the relationship between music and the classic Western religious texts?
Tom Purdom

Tom Purdom

Articles 4 minute read
Solzhenitsyn: Confidence of his vision.

Solzhenitsyn in a chamber trio

Solzhenitsyn minus Orchestra

Playing piano in a trio (instead of conducting an orchestra), Ignat Solzhenitsyn's big revelation was the sensitivity and control he brings to chamber music.
Tom Purdom

Tom Purdom

Articles 1 minute read
VÓ¤nskÓ¤: To hear the old strangeness again.

Three Finns and Liszt, by the Orchestra

A Finn's fresh take on Sibelius

The Sibelius Second Symphony is almost the Philadelphia Orchestra's signature piece, but visiting conductor Osmo Vänskä brought a refreshing perspective. The program also included the local premiere of Kalevi Aho's busy Minea, and a fine-tooled performance of the Liszt Second Piano Concerto by young French soloist Jean-Frédéric Neuburger.
Robert Zaller

Robert Zaller

Articles 4 minute read

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Choi: Floating lines, and one shriek.

Jasmine Choi flute recital

Between East and West

The impressive young flutist Jasmine Choi explores the border between East and West and invades the empire of the Great Romantics.
Tom Purdom

Tom Purdom

Articles 4 minute read
Reich: Life-changing experience. (Photo: Wonge Bergmann.)

Reich, Glass and Bryars at Annenberg

Steve Reich, forever young

The Zellerbach's dry acoustics and a battery of mirambas and xylophones almost swamped the Philadelphia Singers' delivery of Steve Reich's You Are. And I loved every minute of it.
Dan Coren

Dan Coren

Articles 6 minute read