Music

1916 results
Page 144
Metallica: Respite from Puccini?

When classical musicians play pops

Confessions of a classical pianist: Give me a funky beat now and then

What kind of music do classical musicians listen to when they want to let their hair down— especially if they're black?
Maria Thompson Corley

Maria Thompson Corley

Articles 3 minute read
Partridge, dying in Act IV: Looking the part.

Opera Company's "La Traviata' (2nd review)

If Violetta were 20 years older…..

The Opera Company's stunning production of La Traviata, updated to the Roaring ‘20s, shouldn't be discarded just because it's anachronistic. But how can we see the Violetta-Alfredo relationship as more upsetting in a sexually liberated age? Let me suggest a solution.
Steve Cohen

Steve Cohen

Articles 5 minute read
Adams: Shades of Boccherini.

From Schubert to John Adams, in three days

Fascist music? Who cares?

Two concerts from the Philadelphia Chamber Music Society hop from the tried and true to the new and noisy. I enjoyed both.
Tom Purdom

Tom Purdom

Articles 5 minute read

AVA's "La Bohème'

A Bohème you can believe in

Everyone in the cast of AVA's La Bohème displayed youthful fervor and sang at a level equal to or better than what one sees in professional opera houses. Watch especially for soprano Na Li Youm, whose large yet intimate voice will take her far (even if she's too healthy-looking to play the consumptive Mimi).
Steve Cohen

Steve Cohen

Articles 3 minute read
Partridge, Castronovo: A Verdi Charleston?

Opera Company's flapper 'Traviata' (1st review)

A flapper Traviata

The Opera Company of Philadelphia's latest production of La Traviata is set not in the repressed 1840s but in the Roaring 1920s. It's a first-rate production with two ideally cast new faces. But the anachronistic setting undermines the opera's timeless message about the individual's place in society.
Dan Rottenberg

Dan Rottenberg

Articles 6 minute read

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Krzywicki: Underrated. (Photo: Jeanne Morrissey.)

Variations on Beethoven's Variations, by Network For New Music

If Beethoven could do it….

Inspired by Beethoven's Diabelli Variations, Network For New Music called for 25 new variations from 25 present-day composers. The result certainly didn't sound like a single, cohesive work, yet it captured a range of drama, emotion and texture that honored Beethoven's model.

Articles 3 minute read
Pogorelich: Chopin cringed.

The vanishing Philadelphia Orchestra

The Philadelphia Orchestra: On Tour, or AWOL?

Other orchestras go on tour, but few vanish for a month at a time as regularly as Philadelphia's. You have to wonder if our great orchestra is considering a relocation to Tokyo.
Robert Zaller

Robert Zaller

Articles 2 minute read
Grofe: Forgotten no more.

Grofe's lost "Café Society' rediscovered

Back to the '30s, for one afternoon

A missing piece of Philadelphia arts history was retrieved and revived when Philadelphia Sinfonia, a youth orchestra led by musical director and conductor Gary White, performed Ferde Grofe's long-forgotten Café Society.

Janet Anderson

Articles 3 minute read
Hayes: On target.

Philadelphia Singers and Bach Festival

Rachmaninoff meets a sticky challenge

The Philadelphia Singers apply their talents to a Rachmaninoff work that combines creative genius with one of the world's most appealing liturgical traditions.
Tom Purdom

Tom Purdom

Articles 4 minute read
Diaz: Three winners.

Roberto Diaz, master of the viola

Diaz: Something for the eye, too

At his recent recital, the violist Diaz made no effort to woo the audience with flashy movements. His demeanor provided appropriate visual backup nevertheless.
Tom Purdom

Tom Purdom

Articles 3 minute read