Music

1932 results
Page 141
Danielpour: This time it's personal. (Photo: Susan Unterberg.)

Dolce Suono plays Danielpour's trio

Danielpour remembers his roots

Dolce Suono premieres a new trio by Richard Danielpour that successfully navigates the rocky territory where art meets politics.
Tom Purdom

Tom Purdom

Articles 4 minute read
Rudderless no more?

Yannick and the Orchestra: So far, so good (1st review)

Yannick, the hopeful one

In his first test since his appointment, music director-designate Yannick Nézet-Séguin's rhythmic freedom and steady pulse gave the Philadelphia Orchestra the confidence to bloom a bit more than usual.

Articles 3 minute read
Stone: Masculine touch.

Lyric Fest's tribute to Barber's songs

Samuel Barber, songster

Samuel Barber liked to sing, but his songs are often given short shrift. Lyric Fest ably presented the most extensive look at his song output most of us will ever encounter.

Articles 1 minute read
Heimes: Regal greeting.

Piffaro's 1616 baptism and ballet

Once upon a time, in Stuttgart

Piffaro's historical productions can't create a full reproduction of the events they're based on. But this simulation of a 17th-Century royal baptism provided some sense of the way their music felt when it was part of the day-to-day life of the court and the street.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pape as Boris: A Russian Macbeth. (Photo: Nick Heavican.)

Met “Boris Godunov” and its critics

Boris, we hardly knew ye (until now)

The Met's new production of Boris Godunov has been criticized because it's so long. Nonsense. At last we have a restoration of this epic of Russian history as Pushkin put it in words and as Mussorgsky transcribed it into music theater.
Steve Cohen

Steve Cohen

Articles 5 minute read
Blythe, Terfel: Henny Youngman had a word for it. (Photo: Ken Howard.)

The Met's "Das Rheingold' in HD-Live (2nd review)

Here's the gold. Where's the magic?

Das Rheingold scored only a middling success when I saw its live transmission in High Definition. The staging looked expensive but failed to achieve the magic of Lepage's earlier productions.
Steve Cohen

Steve Cohen

Articles 3 minute read
Goodman: A highlight of my musical life.

Philadelphia Harp Music Festival

Crowded program, empty pews

The Philadelphia HarpMusicFest presents able musicians playing attractive programs. All it needs is an audience.
Tom Purdom

Tom Purdom

Articles 3 minute read

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Betinis: Liberation, Islamic style.

Philadelphia Singers' all-American concert

When composers confront technology

The Philadelphia Singers' new emphasis on American choral music wisely exploits conductor David Hayes's conviction and understanding.
Tom Purdom

Tom Purdom

Articles 4 minute read
Lollipops for his fans.

Yo-Yo Ma at the Kimmel (1st review)

Ma's middle-aged crisis, or: Brahms, where is thy sting?

Yo-Yo Ma delivered beautiful tone but neither bite nor flashes of anger in his confusingly bland Brahms. Brahms wants his Sonata No. 1 to both shout and whisper; Ma chose to sit comfortably somewhere in between.

Articles 3 minute read
Ma and Stott: Acoustics? What acoustics?

Yo-Yo Ma at the Kimmel (2nd review)

How an artist makes a difference

What force could nearly fill Verizon Hall to hear a cellist, even a great cellist, especially on a night when the Phillies were fighting for survival in the National League championship series?
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read