Music

1933 results
Page 139
Stemme: Looking her age, unfortunately.

La Scala's "Walkure' on the high-def big screen

La Scala and Die Walkure: Not quite ready for our close-up, Mr. DeMille

The good news: The miracle of high-definition TV saved me the hassle of a plane trip to La Scala's opening night. The bad news: This new production of Wagner's Die Walkure was the dullest in my memory, and La Scala made no concessions to the demands of large-screen cinema.
Steve Cohen

Steve Cohen

Articles 5 minute read
Claudio Giovanni Antonio Monteverdi (1567-1643) wishes you a happy holiday. No, really.

Monteverdi Vespers by Choral Arts and Piffaro (2nd review)

The Blessed Virgin and her friends

Choral Arts Philadelphia and the Piffaro Renaissance band combined forces to produce a richly satisfying performance of Monteverdi's great Vespers for the Blessed Virgin to mark the quadricentennial anniversary of one of the seminal works of the Western art music tradition.
Robert Zaller

Robert Zaller

Articles 3 minute read
Opsahl: A winning instrument.

Monteverdi Vespers by Choral Arts and Piffaro (1st review)

What did Monteverdi want?

There's no right way to perform the Monteverdi Vespers, because the composer didn't specify which instruments played which passages. But Choral Arts and Piffaro collaborated on a performance that offered all the emotional pleasures we think of when we hear Monteverdi's name.
Tom Purdom

Tom Purdom

Articles 3 minute read
How could Zaller have dismissed Brahms?

Whatever happened to symphonies? (A reply)

Symphonies are dying? Maybe. But what exactly is a symphony?

My BSR colleague Robert Zaller laments that the symphony as a musical form is vanishing after more than two centuries. Perhaps. But there really never was such a thing as “the Romantic version” of the Classical symphony, and certainly not in the sense that Zaller implies.
Dan Coren

Dan Coren

Articles 5 minute read
Poplavskaya (rear) with Alagna: A role sopranos avoid. (Photo: Sara Krulwich, New York Times.)

Verdi's "Don Carlo' at the Met (live)

Is there an Italian in the house?

The main flaw in the Met's outstanding new production of Don Carlo lies in the international nature of its cast. The use of a French-Canadian conductor, a half-French tenor and various Russian, British and American soloists may seem like welcome egalitarianism, but non-Italians have a rough time capturing the flavor of Verdi, that quintessential Italian nationalist.
Steve Cohen

Steve Cohen

Articles 6 minute read
Corigliano: What's music got to do with it?

Whatever happened to symphonies? (1st comment)

Another victim of our times: Whatever happened to the symphony?

The symphony— for more than 200 years the defining form of Western music— has all but vanished in the past 40. Concert audiences remain as addicted as ever to their Beethoven and Brahms, not to mention their Sibelius and Shostakovich. So why don't contemporary composers try to oblige them?
Robert Zaller

Robert Zaller

Articles 7 minute read
Corinne Winters as Hester: A few unanswered questions.

Garwood's "Scarlet Letter,' by AVA (2nd review)

Give her an A

Margaret Garwood has found in The Scarlet Letter a strong piece of musical theater. In some places she has actually improved Hawthorne's story telling. Whether the music will survive is another question.
Steve Cohen

Steve Cohen

Articles 5 minute read
Brossé: Sedate, but only on paper.

Dirk Brossé's Chamber Orchestra debuts

Debut of a ‘deepie'

Can nice guys create art? Beneath his amiable surface, the Chamber Orchestra's new conductor reveals himself as a deadly serious musician.
Tom Purdom

Tom Purdom

Articles 5 minute read
Pittsinger as Emile: An essential difference.

“South Pacific” revival on tour (2nd comment)

Not your father's opera (or is it?)

Has opera been replaced by the Broadway musical? If so, is that good or bad? The recent revival of South Pacific demonstrated the pros as well as the cons of this brave new musical world.

Articles 3 minute read
Hong (top), Hall: Is there a moral witness in the house? (Photo: Nan Melville.)<i></i>

“Coronation of Poppea” by Juilliard Opera

When the bad guys win

In Monteverdi's The Coronation of Poppea, the sheer force of erotic passion subverts all moral categories. Such wisdom renders this nearly-400-year-old opera more than modern today. The Juilliard Opera Theater's production, led by Harry Bicket, gave a fine account of the work.
Robert Zaller

Robert Zaller

Articles 5 minute read