Music

1932 results
Page 138

"Tannhäuser': Blasphemy or piety?

The TannhÓ¤user riddle: What was Wagner's game?

Is Tannhäuser a religious opera, or sacrilegious? Put the blame on Wagner, a composer who insisted on his right to partake of both worlds.
Steve Cohen

Steve Cohen

Articles 4 minute read
Hainen: An intimate moment.

On sitting in Verizon's "conductor's circle'

The other side of the podium, or: ‘You can practically read their scores'

The conductor's circle at Verizon Hall may not be the best place to hear violin concertos and subtle nuances. But sitting so close to the musicians should appeal to anyone who appreciates intensity and passion.
Tom Purdom

Tom Purdom

Articles 4 minute read
Heimes: Regal greeting.

Piffaro's Renaissance Christmas

Pagans and Christians on common ground

On a single Christmas program, Piffaro managed to combine our mix of pagan rite, Christian holy day and All-American party-time.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pitts: Extending a tune into jazz eternity.

Jazz pianist Trudy Pitts: an appreciation

In sushi heaven with Trudy Pitts

What defines a musical treasure? For me, it was the pleasure that the jazz pianist and organist Trudy Pitts brought to many a weekend evening and Sunday brunch.
Dan Coren

Dan Coren

Articles 2 minute read
Khaner: Pushing the outer limits.

Khaner/Abramovic concert at Settlement

Composers propose, performers dispose

Flutist Jeffrey Khaner and pianist Charles Abramovic demonstrated what two superb musicians can do with music intended merely for gifted amateurs.

Articles 3 minute read
Poplavskaya and Alagna: Now we can whisper!

The Met's "Don Carlo': The high-def screen version

Little details make a big difference

What's the difference between a live opera performance and a high-definition screen transmission? Like night and day, to judge from the Met's Don Carlo. On screen, for one thing, singers can whisper. For another, you can notice whose portrait is in a jewel box.
Steve Cohen

Steve Cohen

Articles 2 minute read
Cunningham: Watch that left hand.

Tempesta di Mare channels Couperin and Louis XIV

Music for the royal couch potato

Some people spend Sunday reading the New York Times. Louis XIV summoned Francois Couperin and his court chamber players, who keenly understood audience psychology.
Tom Purdom

Tom Purdom

Articles 4 minute read

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Monteverdi: Between the Church and sensual love.

Monteverdi Vespers by Choral Arts and Piffaro (3rd review)

Monteverdi's magnificent job application

To appreciate Monteverdi's Vespers of 1610, it helps to understand the age and the place in which it was composed. In effect this operatic pioneer was following in Michelangelo's artistic footsteps.
Steve Cohen

Steve Cohen

Articles 4 minute read
Rochberg: Are American composers chopped liver?

Are symphonies really dying? (A response)

Are symphonies really dying? Count them for yourself. (I did.)

BSR contributor Robert Zaller laments the demise of the symphony in our times. Out of curiosity, I conducted a census of symphonic composers from Haydn to the present. The surprising numbers and ratios I found suggest almost the opposite conclusion.
Kile Smith

Kile Smith

Articles 5 minute read
Stemme: Looking her age, unfortunately.

La Scala's "Walkure' on the high-def big screen

La Scala and Die Walkure: Not quite ready for our close-up, Mr. DeMille

The good news: The miracle of high-definition TV saved me the hassle of a plane trip to La Scala's opening night. The bad news: This new production of Wagner's Die Walkure was the dullest in my memory, and La Scala made no concessions to the demands of large-screen cinema.
Steve Cohen

Steve Cohen

Articles 5 minute read