Music

1916 results
Page 138
Brossé: Sedate, but only on paper.

Dirk Brossé's Chamber Orchestra debuts

Debut of a ‘deepie'

Can nice guys create art? Beneath his amiable surface, the Chamber Orchestra's new conductor reveals himself as a deadly serious musician.
Tom Purdom

Tom Purdom

Articles 5 minute read
Pittsinger as Emile: An essential difference.

“South Pacific” revival on tour (2nd comment)

Not your father's opera (or is it?)

Has opera been replaced by the Broadway musical? If so, is that good or bad? The recent revival of South Pacific demonstrated the pros as well as the cons of this brave new musical world.

Articles 3 minute read
Hong (top), Hall: Is there a moral witness in the house? (Photo: Nan Melville.)<i></i>

“Coronation of Poppea” by Juilliard Opera

When the bad guys win

In Monteverdi's The Coronation of Poppea, the sheer force of erotic passion subverts all moral categories. Such wisdom renders this nearly-400-year-old opera more than modern today. The Juilliard Opera Theater's production, led by Harry Bicket, gave a fine account of the work.
Robert Zaller

Robert Zaller

Articles 5 minute read
Clearfield: Translating from color to sound.

Network for New Music's "Trade Winds From Tibet'

Himalayan Odyssey, Philadelphia style

Four young American composers based their pieces on recent fieldwork conducted in Tibet by Philadelphia composer Andrea Clearfield. This self-consciously styled genre is too often laden with clichés— happily not the case in this concert.

Articles 3 minute read
Sean Arnold, Olivia Vote, Alex Lawrence (standing): The Puritans blew it. (Photo: Paul Sirochman.)

Garwood's "Scarlet Letter,' by AVA (1st review)

Hester's little secret

Margaret Garwood's new opera may not contain any soaring arias, but its final moment is a monument to the immorality of overbearing morality.
Tom Purdom

Tom Purdom

Articles 3 minute read

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Raim: Beyond career guidance.

Astral Artists' Brahms Festival

Brahms ‘til you drop

Astral showcased its young performers in an attention-getting event that crammed three concerts into a single day. It may be a stunt, but it's a high-class stunt with a serious purpose.
Tom Purdom

Tom Purdom

Articles 4 minute read
McLaughlin: Admired but not adored.

Guitarist John McLaughlin at the Keswick

Here's the talent. Where's the love?

John McLaughlin is one of the best guitarists playing today. But technical proficiency isn't easy to translate into passion.
Judy Weightman

Judy Weightman

Articles 2 minute read
Wu Man and her pipa: Something in common with banjo pluckers.

Orchestra 2001: From China to Scotland

Chinese visions, highland memories

Orchestra 2001 presented a globetrotting program that bridged the divide between entertainment and art while it linked the Eastern and Western musical traditions.
Tom Purdom

Tom Purdom

Articles 4 minute read
Partridge as Violetta: The scenario rings false.

Bourgeois morality tales: "Traviata' vs. 'Lulu' (3rd review)

When the opera makes no sense, try reading the book

Verdi's La Traviata and Berg's Lulu seem worlds apart sonically and dramatically, but they share a vision of the bourgeois world in which an untrammeled female temptress is sacrificed, in one case on the altar of respectability and on the other to Jack the Ripper's knife. Now, where is the composer who'll do justice to the Age of Madoff?
Robert Zaller

Robert Zaller

Articles 8 minute read
A conductor whose time came and went.

Yannick and the Orchestra (5th review)

Rattle's ghost, R.I.P.

Under Yannick Nézet-Séguin's baton, the Philadelphians delivered more presence and more color to Mahler's Fifth than Simon Rattle's Berliners did. Nézet-Séguin makes his intentions clear to the musicians, perhaps because he, like most of his players, is a North American.
Steve Cohen

Steve Cohen

Articles 4 minute read