Music

1916 results
Page 136
Mozart on his deathbed, tended by SÓ¼ssmayr (right): A disparaged effort that survived.

Yannick and the Orchestra: Mozart's "Requiem' (2nd review)

Let us now praise obscure composers (and Yannick too)

The Philadelphia Orchestra's stellar performance of Mozart's Requiem reminded this listener that great music isn't merely the work of a few giants. Consider the forgotten Franz Xaver Süssmayr, who selflessly finished Mozart's work while others around the master engaged in a post-mortem feeding-frenzy.
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read
Portrait of the artist as a young man in an awkward transition.

Yannick and the Orchestra: Mozart's "Requiem' (1st review)

The chorus and the Orchestra: The real Yannick finally stands up

Yannick Nézet-Séguin cut his teeth as a choral director but has bent over backwards to avoid being typecast as an opera maestro in Philadelphia. But his dazzling Mozart/Debussy concert displayed his love of vocal music, and the likelihood that Philadelphians can expect much more.
Steve Cohen

Steve Cohen

Articles 5 minute read
Yes, they're painted blue. And what else is new?

Blue Man Group: An "80s relic

Growing up and selling out

Blue Man Group was quite avant-garde in the '80s. But this male trio can't seem to accept that modern society has outgrown the group's message and even its form. Flashing lights on stage screens just don't do it any more.
Madeline Schaefer

Madeline Schaefer

Articles 3 minute read
Lisitsa: Where did she come from?

Valentina Lisitsa: Who needs concert halls?

A virtuoso for the Internet age: The greatest pianist you never heard of

The Ukrainian-American pianist Valentina Lisitsa has been playing for years at a level worthy of comparison with the likes of Vladimir Horowitz and Sviatislav Richter. Yet she's easier to find on YouTube than in concert halls.
Dan Coren

Dan Coren

Articles 6 minute read

"Tannhäuser': Blasphemy or piety?

The TannhÓ¤user riddle: What was Wagner's game?

Is Tannhäuser a religious opera, or sacrilegious? Put the blame on Wagner, a composer who insisted on his right to partake of both worlds.
Steve Cohen

Steve Cohen

Articles 4 minute read
Hainen: An intimate moment.

On sitting in Verizon's "conductor's circle'

The other side of the podium, or: ‘You can practically read their scores'

The conductor's circle at Verizon Hall may not be the best place to hear violin concertos and subtle nuances. But sitting so close to the musicians should appeal to anyone who appreciates intensity and passion.
Tom Purdom

Tom Purdom

Articles 4 minute read
Heimes: Regal greeting.

Piffaro's Renaissance Christmas

Pagans and Christians on common ground

On a single Christmas program, Piffaro managed to combine our mix of pagan rite, Christian holy day and All-American party-time.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pitts: Extending a tune into jazz eternity.

Jazz pianist Trudy Pitts: an appreciation

In sushi heaven with Trudy Pitts

What defines a musical treasure? For me, it was the pleasure that the jazz pianist and organist Trudy Pitts brought to many a weekend evening and Sunday brunch.
Dan Coren

Dan Coren

Articles 2 minute read
Khaner: Pushing the outer limits.

Khaner/Abramovic concert at Settlement

Composers propose, performers dispose

Flutist Jeffrey Khaner and pianist Charles Abramovic demonstrated what two superb musicians can do with music intended merely for gifted amateurs.

Articles 3 minute read
Poplavskaya and Alagna: Now we can whisper!

The Met's "Don Carlo': The high-def screen version

Little details make a big difference

What's the difference between a live opera performance and a high-definition screen transmission? Like night and day, to judge from the Met's Don Carlo. On screen, for one thing, singers can whisper. For another, you can notice whose portrait is in a jewel box.
Steve Cohen

Steve Cohen

Articles 2 minute read