Music

1932 results
Page 132
Gretchaninoff: With a little help from his friends.

In search of a forgotten composer

The world forgot, but I remembered

Why on earth is Alexander Gretchaninoff buried in central New Jersey? Why on earth am I searching for his grave? In some strange way, this obscure and forgotten Russian composer speaks to my own struggle to compose.
Kile Smith

Kile Smith

Articles 5 minute read
Fujikara: Novel sounds.

Network For New Music: Debussy meets Japan

East meets West (again) and sound meets sight

Network for New Music contributed to the Philadelphia International Festival of the Arts with a program that mingled music and visuals, Eastern and Western musical traditions, and novel instrumental combinations.
Tom Purdom

Tom Purdom

Articles 3 minute read
Tang: Rare opportunity.

Dolce Suono's French evening

Beyond nostalgia

Dolce Suono probed the music that underlies the French legend celebrated in the Philadelphia International Festival for the Arts. It also inadvertently provided a new slant on a Debussy sonata.
Tom Purdom

Tom Purdom

Articles 3 minute read
Cook: A slithering snake? Why not?

French songs at Academy of Vocal Arts

We'll always have Paris

To recapture the spirit of French song in the age of Picasso, the Academy of Vocal Arts utilized paintings, film, live animals and genuinely idiomatic singers. One question: Why doesn't the AVA stage more French operas?
Steve Cohen

Steve Cohen

Articles 3 minute read
Stravinsky (above): Next to Shostakovich, a musical conservative?

Stravinsky and Shostakovich at the Perelman

Together at last

Pianist Ignat Solzhenitsyn brought his fellow Russians Igor Stravinsky and Dmitri Shostakovich together for a rare conversation in a Chamber Music Society concert that also featured violinist Jennifer Frautschi and cellist Efe Baltacigil. They should speak more often, especially when given voice by musicians of this caliber.
Robert Zaller

Robert Zaller

Articles 5 minute read
Smythe: Like children manipulating dolls.

Chamber Orchestra's "Histoire du Soldat'

Puppetmasters of Paris

The Chamber Orchestra of Philadelphia presented Philadelphia's first full-dress version of L'Histoire du Soldat in 20 years— and the first to attract a decent audience.
Tom Purdom

Tom Purdom

Articles 4 minute read
Gatti: Searching for Sensurround.

Orchestre National de France at Verizon Hall

The French impression

Is spring really as violent as Stravinsky imagined? Whatever— 98 years after its premiere, his Rite of Spring provoked not a riot but a standing ovation.

Richard da Silva

Articles 2 minute read
Who'll fill those empty seats?

A few suggestions for the Orchestra

To save the Orchestra, expand the audience

Balancing the books is a pointless exercise if the Philadelphia Orchestra's audience is eroding. Here are a few other questions and suggestions that might be more helpful.
Vincent Rinella

Vincent Rinella

Articles 2 minute read
Welch-Babidge: From decadence to paradise.

Orchestra confronts Berg, Mahler— and bankruptcy

A good night for music, a bad one for the Orchestra

Bankruptcy, once a moral disgrace, has become just another way of doing business. Or perhaps you thought the Philadelphia Orchestra was more than a business. This strategy may work in today's de-unionized business world; it works less well when the affected employees are not tool and die workers but world-class musicians openly coveted by other orchestras.
Robert Zaller

Robert Zaller

Articles 6 minute read
Evrard: Up and coming.

Lyric Fest's Paris Festival

The Fest and the Festival

The Lyric Fest art song series made its contribution to the Philadelphia International Festival of the Arts with a program it could stage at any time.
Tom Purdom

Tom Purdom

Articles 3 minute read