Music

1916 results
Page 131
Gatti: Searching for Sensurround.

Orchestre National de France at Verizon Hall

The French impression

Is spring really as violent as Stravinsky imagined? Whatever— 98 years after its premiere, his Rite of Spring provoked not a riot but a standing ovation.

Richard da Silva

Articles 2 minute read
Who'll fill those empty seats?

A few suggestions for the Orchestra

To save the Orchestra, expand the audience

Balancing the books is a pointless exercise if the Philadelphia Orchestra's audience is eroding. Here are a few other questions and suggestions that might be more helpful.
Vincent Rinella

Vincent Rinella

Articles 2 minute read
Welch-Babidge: From decadence to paradise.

Orchestra confronts Berg, Mahler— and bankruptcy

A good night for music, a bad one for the Orchestra

Bankruptcy, once a moral disgrace, has become just another way of doing business. Or perhaps you thought the Philadelphia Orchestra was more than a business. This strategy may work in today's de-unionized business world; it works less well when the affected employees are not tool and die workers but world-class musicians openly coveted by other orchestras.
Robert Zaller

Robert Zaller

Articles 6 minute read
Evrard: Up and coming.

Lyric Fest's Paris Festival

The Fest and the Festival

The Lyric Fest art song series made its contribution to the Philadelphia International Festival of the Arts with a program it could stage at any time.
Tom Purdom

Tom Purdom

Articles 3 minute read
Montalbano: Remorseless image.

Choral Arts Society's Gesualdo program (2nd review)

Modern voices, Renaissance sins

Matthew Glandorf placed Renaissance Lenten music in context by juxtaposing it with modern artists like T.S. Eliot, Igor Stravinsky, Benjamin Britten, and Dame Edith Sitwell.
Tom Purdom

Tom Purdom

Articles 3 minute read
Leonard: Triumph over acoustics.

Orchestra-Ballet's "Pulcinella' collaboration (1st review)

What was PIFA thinking?

In a concert ballyhooed as an historic co-production of a ballet company and an orchestra, Falla's Three-Cornered Hat was performed complete, but without the dancing. Which begs just one question: Why?

Articles 3 minute read
Gesualdo: A genius, and a killer.

Choral Arts Society's Gesualdo program (1st review)

The 16th Century's answer to Roman Polanski

The Choral Arts Society's program based on the music of Carlo Gesualdo was daring, and not just because the composer was a triple murderer.
Steve Cohen

Steve Cohen

Articles 4 minute read
Bengtson: Making his own breaks.

Trio Camille and Buxtehude Consort

The artist as entrepreneur

Two musical go-getters, pianist Matt Bengtson and baritone John Fowler, enhance Philadelphia's musical life while creating opportunities for themselves and their colleagues.
Tom Purdom

Tom Purdom

Articles 4 minute read
Bachmann: Wedding gift.

Contemporary music: Two concerts

After the revolution

Philip Glass and George Rochberg may have revolutionized new music, but their work seems almost mannered next to two younger composers who took advantage of their rebellion.
Tom Purdom

Tom Purdom

Articles 3 minute read
Williams: A bright future. (Photo: Donato Valentino.)

Concert Operetta's "Carp' and "Galatea'

Here come the waltzes

Who introduced the waltz to 19th-Century European romantic theater? Guess again— it wasn't Johann Strauss.
Steve Cohen

Steve Cohen

Articles 3 minute read