Music

1928 results
Page 130
Baird: Coffee and kisses.

"Coffee Cantata' by Philadelphia Bach Collegium (1st review)

Bach takes a coffee break

Bach's Coffee Cantata, about a soprano who's hooked on caffeine, offers proof that the great Johann Sebastian had a sense of humor.
Steve Cohen

Steve Cohen

Articles 2 minute read
John Chesney, Meghan Williams: Who chose those costumes?

Savoy Company's "Iolanthe'

Political humor, here and over there

At its 108th annual production, the theoretically amateur Savoy Company demonstrated once again that the enduring appeal of Gilbert and Sullivan is based on qualities that transcend nostalgia.
Tom Purdom

Tom Purdom

Articles 2 minute read
Graham: Making every note count.

Orchestra's "Damnation of Faust' (1st review)

Dutoit's long goodbye

Charles Dutoit ended his penultimate year as chief conductor of the Philadelphia Orchestra with a grand finale worthy of his long (albeit sometimes shabby) relationship with the Philadelphians.
Tom Purdom

Tom Purdom

Articles 3 minute read
Heimes: Regal greeting.

Tempesta di Mare restores Telemann, Fasch and Janitsch

Treasures from the Red Army

By scouring the Red Army archives, Tempesta di Mare resuscitated a few baroque gems, not to mention some quirky valveless horns.
Tom Purdom

Tom Purdom

Articles 4 minute read
Dutoit: Floating through a landscape.

Orchestra plays Beethoven and Stravinsky (2nd review)

Beethoven's grandest finale

Charles Dutoit's Ninth didn't quite make it into the circle inhabited by Sawallisch and Milanov. But it came close, even if the soloists didn't quite measure up to the occasion.
Tom Purdom

Tom Purdom

Articles 3 minute read

Orchestra plays Beethoven and Stravinsky (1st review)

From Ravenna to Elysium

If Beethoven's Ninth is the great choral symphony of the 19th Century, Stravinsky's Symphony of Psalms is in many ways a 20th Century riposte. In pairing them, Charles Dutoit bridged two eras; in playing them, the results were uneven though the effort worthwhile.
Robert Zaller

Robert Zaller

Articles 6 minute read
Voigt, Terfel: Like a teenage tomboy.

Met's "Die Walküre' in HD-Live Cinema

Wagner, up close and personal

On stage, Wagner's Die Walküre too often comes across as an overwrought spectacle. Thanks to the close-ups provided by video cameras, we can see Walküre for what it really is: an intimate story of personal relationships.
Steve Cohen

Steve Cohen

Articles 4 minute read

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Frazier: Brilliance and nuance, too.

Camerata Ama Deus's all-Handel concert

At home in the Baroque

Like all musical organizations, Valentin Radu's Ama Deus mini-empire has its strengths and weaknesses. But you can be certain you'll get your money's worth when Radu leads his Camerata chamber orchestra through a Baroque period instrument concert.
Tom Purdom

Tom Purdom

Articles 3 minute read
Owens: Climbing the ladder.

Dolce Suono's Mahler/Schoenberg festival

Mahler and Schoenberg in a whole new light

Dolce Suono's live-wire leader, Mimi Stillman, combined a new music mini-festival with memorable performances of two established works while demonstrating, once again, that her talent for creating fascinating programs rivals her abilities as a flutist.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pedersen: Thrill of the high B.

"The Merry Widow' in Wilmington

The good old days (before microphones, even)

After a century, how does Lehár's The Merry Widow hold up? This Wilmington production recalled Broadway's post-World War II golden age, propelled by broad humor, energetic dancing and a blissful absence of mechanical amplification.
Steve Cohen

Steve Cohen

Articles 3 minute read