Music

1916 results
Page 129
Graham: Making every note count.

Orchestra's "Damnation of Faust' (1st review)

Dutoit's long goodbye

Charles Dutoit ended his penultimate year as chief conductor of the Philadelphia Orchestra with a grand finale worthy of his long (albeit sometimes shabby) relationship with the Philadelphians.
Tom Purdom

Tom Purdom

Articles 3 minute read
Heimes: Regal greeting.

Tempesta di Mare restores Telemann, Fasch and Janitsch

Treasures from the Red Army

By scouring the Red Army archives, Tempesta di Mare resuscitated a few baroque gems, not to mention some quirky valveless horns.
Tom Purdom

Tom Purdom

Articles 4 minute read
Dutoit: Floating through a landscape.

Orchestra plays Beethoven and Stravinsky (2nd review)

Beethoven's grandest finale

Charles Dutoit's Ninth didn't quite make it into the circle inhabited by Sawallisch and Milanov. But it came close, even if the soloists didn't quite measure up to the occasion.
Tom Purdom

Tom Purdom

Articles 3 minute read

Orchestra plays Beethoven and Stravinsky (1st review)

From Ravenna to Elysium

If Beethoven's Ninth is the great choral symphony of the 19th Century, Stravinsky's Symphony of Psalms is in many ways a 20th Century riposte. In pairing them, Charles Dutoit bridged two eras; in playing them, the results were uneven though the effort worthwhile.
Robert Zaller

Robert Zaller

Articles 6 minute read
Voigt, Terfel: Like a teenage tomboy.

Met's "Die Walküre' in HD-Live Cinema

Wagner, up close and personal

On stage, Wagner's Die Walküre too often comes across as an overwrought spectacle. Thanks to the close-ups provided by video cameras, we can see Walküre for what it really is: an intimate story of personal relationships.
Steve Cohen

Steve Cohen

Articles 4 minute read
Frazier: Brilliance and nuance, too.

Camerata Ama Deus's all-Handel concert

At home in the Baroque

Like all musical organizations, Valentin Radu's Ama Deus mini-empire has its strengths and weaknesses. But you can be certain you'll get your money's worth when Radu leads his Camerata chamber orchestra through a Baroque period instrument concert.
Tom Purdom

Tom Purdom

Articles 3 minute read
Owens: Climbing the ladder.

Dolce Suono's Mahler/Schoenberg festival

Mahler and Schoenberg in a whole new light

Dolce Suono's live-wire leader, Mimi Stillman, combined a new music mini-festival with memorable performances of two established works while demonstrating, once again, that her talent for creating fascinating programs rivals her abilities as a flutist.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pedersen: Thrill of the high B.

"The Merry Widow' in Wilmington

The good old days (before microphones, even)

After a century, how does Lehár's The Merry Widow hold up? This Wilmington production recalled Broadway's post-World War II golden age, propelled by broad humor, energetic dancing and a blissful absence of mechanical amplification.
Steve Cohen

Steve Cohen

Articles 3 minute read
Capilla Flamenca: Belgian by-product.

Piffaro's Heinrich Isaacs concert

Mellowing with age

In 25 years, Piffaro has evolved from musical brawls to more refined Renaissance repertoire. Are all of us mellowing as we age along with Piffaro's musicians? Or is our appreciation of Renaissance music growing more sophisticated?
Tom Purdom

Tom Purdom

Articles 4 minute read
Masur: Less taut but still grand.

Orchestra plays Shostakovich and Tchaikovsky

Exits and entrances

The Philadelphia Orchestra's Russian Spring continued with performances of the Shostakovich First and the Tchaikovsky Sixth symphonies under guest conductor Kurt Masur. Barely 30 years separate these works, but it seems more like a century.
Robert Zaller

Robert Zaller

Articles 5 minute read