Music

1932 results
Page 129
Booth: Team player in the spotlight.

Wister Quartet's "Summer Bits and Pieces'

Shorthanded in Fairmount Park

The Wister Quartet, reduced to a trio, responded by showcasing the overlooked talents of its three remaining members.
Tom Purdom

Tom Purdom

Articles 3 minute read
Tilson Thomas with Renee Fleming: He learned from a master.

How today's orchestras succeed

Earth to Philadelphia Orchestra: It's the Internet, stupid

While the Philadelphia Orchestra struggles in bankruptcy, many major orchestras around the world are flourishing. These “21st-Century orchestras” have seized the marketing and PR possibilities of the Internet in imaginative ways that have so far eluded the timid Philadelphians.

Clarence Faulcon

Articles 5 minute read
Stillman: A talent for performing— and organizing, too.

Dolce Suono at Laurel Hill

High-level High Baroque

The Dolce Suono Trio manages a successful hop between 20th Century America and 18th Century Europe.
Tom Purdom

Tom Purdom

Articles 4 minute read
Amini: Finding Dvorak's budding romanticism.

Lenape Chamber Ensemble's 25th anniversary concerts

The evolving Western mind, in three pieces

For its 25th anniversary concerts, the Lenape Chamber Ensemble offers a quick lesson in modern sensibility: The line from Haydn to Dvorak to Shostakovich defines the ascent of individuality, self-consciousness and inner conflict in Western thought.
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read
David Kelly as major-general, with daughters: Why Gilbert wasn't knighted.

"Pirates of Penzance' in Oregon

Hoisting the Victorians, Oregon-style

The Oregon Shakespeare Festival, in its 76th year, has discovered new territory: Gilbert and Sullivan. In The Pirates of Penzance, the Festival demonstrates that lampooning Victorian assumptions remains as relevant as ever.

Marshall A. Ledger

Articles 4 minute read
Rudin: Jam session with Crumb and Tchaikovsky.

Andrew Rudin's 40-year retrospective

Grand old man of new music

The new music composer Andrew Rudin has accumulated an impressive body of work for more than 40 years— not by imitating old masters, but achieving the same impact in his own way.
Tom Purdom

Tom Purdom

Articles 4 minute read
Smith: Trees without forest.

The Crossing's 'Month of Moderns'

Kile Smith's music for the stoic heart

Kile Smith may be more comfortable with Christian texts, but his foray into Stoic philosophy displays all the inventive expressiveness that marks his Christian works.
Tom Purdom

Tom Purdom

Articles 3 minute read

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Chestnut Street Singers: American songs

New voices in town

A new chamber chorus satisfies the four basic requirements of good a cappella choral music: Strong voices, good harmony, close coordination, and astute selections.
Tom Purdom

Tom Purdom

Articles 2 minute read
Reiter (left), Mumford: Don't blame the score.

Henze's "Phaedra' by the Opera Company (3rd review)

Phaedra's big problem (and it wasn't onstage)

I would go back to see and hear Phaedra again in a heartbeat. But dozens of Opera Company subscribers, unjustly afraid of 12-tone music, let their seats go vacant.
Steve Cohen

Steve Cohen

Articles 5 minute read
Zohn: Double threat.

Philadelphia's Bach Festival

More Bach for your buck

Modern arrangements of Baroque musicians require scholar-musicians steeped in a tradition that died 200 years ago and blessed with creativity and taste. Philadelphia's Bach Festival provided an ample supply in a single packed weekend.
Tom Purdom

Tom Purdom

Articles 5 minute read