Music

1933 results
Page 127

Opera Company's "Carmen' (1st review)

Don José's really, really difficult choice

Bizet would have liked this production of his overexposed Carmen. Its format is less operatic and more realistic, filling in plot details while it fills out the characters— an approach that heightens audience involvement in the story.
Steve Cohen

Steve Cohen

Articles 3 minute read
Smith: Comfy with bagpipes, too.

Piffaro's "Spanish Pipers in the New World'

In place of an organ, a few dozen recorders will suffice

Piffaro explored a historical subject— the spread of European music to the Spanish conquests in the New World— without any of the extras the group usually likes to apply to historical themes.
Tom Purdom

Tom Purdom

Articles 4 minute read
Buckingham: Fleetwood Mac rides again.

Zombies and Lindsey Buckingham at the Keswick

Nostalgia time for baby boomers

The Zombies and the Fleetwood Mac guitarist/songwriter Lindsey Buckingham provided reassurance for us aging baby-boomers that, at least sometimes, nostalgia pays.
Mark Wolverton

Mark Wolverton

Articles 4 minute read
Montalbano: Remorseless image.

Lyric Fest's "Bawdy Bard'

The birds, the bees and the ale

Lyric Fest joined forces with an early music expert to delve into celebrations of sex, nature and carousing from the era of Chaucer, Shakespeare and the medieval troubadours.
Tom Purdom

Tom Purdom

Articles 4 minute read
Corujo: Suburban husband (with baritone voice).

Poor Richard's "Opera a Day' (2nd review)

Hors d'oeuvres by Menotti and Bernstein

Most one-act operas can't stand on their own. The Poor Richard's company performed a service by presenting five that pass the test, including two I saw.
Steve Cohen

Steve Cohen

Articles 3 minute read
Did Grady Tate (above)  do it deliberately?

"What a Wonderful World': The drummer's difference

A great song dissected: The drummer made the difference

Louis Armstrong draws us in with a voice that makes the sentimentality real. The drummer Grady Tate keeps us honest. That's why “What a Wonderful World” is something other than just a pretty song. And that's why it's unsettling.
Kile Smith

Kile Smith

Articles 5 minute read
Balsom: An inadequate showpiece.

Chamber Orchestra at the Perelman

Do you see the landscape? Do you feel the war?

Disparate works by Mendelssohn and Dirk Brossé beg a question: Should we insist that the music must stand by itself, without any reference to the subject matter?
Tom Purdom

Tom Purdom

Articles 4 minute read

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Radu: Surrounding music with atmosphere.

Vox Renaissance Consort"s "Angelus'

Island of peace

Valentin Radu exercised his talent for pace and variety, astutely adapting Renaissance church music to the demands of a modern concert format.
Tom Purdom

Tom Purdom

Articles 3 minute read
Lindenbaum: Musicians as actors. (Photo: Reinhard Werner.)

Xavier Le Roy's "More Mouvements für Lachenmann'

Hearing and seeing music

The French choreographer Xavier Le Roy joins forces with the German avant-garde composer Helmut Lachenmann to produce captivating theater that renders music visually and sonically.
Jonathan M. Stein

Jonathan M. Stein

Articles 3 minute read
Bard's multi-talented Leon Botstein: A role model for Yannick? (Photo: Steve Pyke.)

Lessons for Philadelphia from the Bard Music Festival

How to resuscitate Classical music: Ten lessons from the Bard Summer Festival

Thousands of visitors flock to Bard College every August for Bard's famous summer music festival. What's the big draw, and what lessons can Philadelphians learn from Bard's success? The real attraction is the promise of intellectual discovery.
Karl Middleman

Karl Middleman

Articles 8 minute read