Music

1926 results
Page 123
Wang: Lang Lang, take notice.

Yannick conducts Higdon and Yuja Wang

Yannick the peripatetic

Energy was the operative word at this weekend's Philadelphia Orchestra concerts, in more ways than one: The wunderkind Yannick Nézet-Séguin was conducting in two cities almost simultaneously.
Steve Cohen

Steve Cohen

Articles 3 minute read
Alsop: Parting company wth Bernstein.

Marin Alsop's elegant simplicity

Less bombastic, but thoroughly convincing

Marin Alsop conducts the classics much the way she dresses: unfussy, simple and elegant.
Steve Cohen

Steve Cohen

Articles 2 minute read
Samuel Hsu:  Embracing old and new alike.

Samuel Hsu: A polymath's giant shadow

The world was his classroom

The polymath Dr. Samuel Hsu, who died last week, was a pianist and musicologist who spoke eight languages and was conversant in linguistics, philosophy, science, theology, history, fine arts, archaeology, literature, ice hockey. He was a Presbyterian elder who was steeped in Buddhism and Judaism. He was elite but never elitist.
Kile Smith

Kile Smith

Articles 6 minute read
Handel's my frequent companion— on my iPod.

Panel discussion: The Orchestra's future

That Alice In Wonderland feeling, or: A 20-something at BSR's Orchestra panel

Why haven't my 20-something peers and I been to the Philadelphia Orchestra, especially when it so desperately needs a new generation of patrons? Broad Street Review brought seven panelists together last week to attempt some answers. They might better have asked: Why don't we read newspapers?
Alaina Johns

Alaina Johns

Articles 6 minute read
Bono thanked everyone except....

Of AIDS and the Philadelphia Orchestra

The unsung heroes of the AIDS battle (not to mention the Philadelphia Orchestra)

What do scientists at big drug companies have in common with musicians at big orchestras? They're essential— and taken for granted. And what does that say about the rest of us?
Victoria Skelly

Victoria Skelly

Articles 3 minute read
I gave Mahalia Jackson my dinner, and was amply rewarded.

"DownBeat' magazine at 75

Jazz vs. religion? No contest

Sister John, my grimly serious music teacher, whomped my knuckles when I tried to imitate Harry James on trumpet. By contrast, Mahalia Jackson, Marshall Stearns and DownBeat Magazine introduced me to a world that still resonates today.
Patrick D. Hazard

Patrick D. Hazard

Articles 5 minute read
Another asset squandered: Ormandy vanishes down the memory hole.

How to save the Philadelphia Orchestra

To save the Orchestra, learn from General Motors

Just how many classical music lovers live in the Delaware Valley? Enough to make a difference for the survival of the genre, not to mention the Philadelphia Orchestra? Equally important, are the necessary tools available? I would answer yes on both counts— if only the Orchestra's bean counters would get out of the way.

Clarence Faulcon

Articles 5 minute read
Beating the drum, and each other.

Hazing scandal at Florida A & M's band

A great college band, if its musicians survive

Florida A & M is justly proud of its Marching 100 band, a famous innovator in band choreography. But a litany of hazing abuses suggests that here's another case of a campus organization that's become bigger than its school.
Maria Thompson Corley

Maria Thompson Corley

Articles 4 minute read
Croft as Gandhi: Let the music transport you?

Philip Glass's 'Satyagraha' at the Met

Gandhi's humble philosophy (for $345 a ticket)

Mohandas Gandhi understood how to mobilize the oppressed masses against the elites of his day. Philip Glass's Satyagraha, for all its ethereal music and purported veneration of Gandhi, seems designed to alienate the masses while deliberately appealing to an elite niche audience.
Steve Cohen

Steve Cohen

Articles 5 minute read
Jurowski: Echoes of Ormandy and Bernstein.

Gardiner and Jurowski: Two period pieces (2nd review)

Authentic period pieces? Ain't no such thing

Sir John Eliot Gardiner led his Orchestre Révolutionnaire et Romantique in an all-Beethoven program on period instruments, followed two days later by Vladimir Jurowski's magisterial reading of Shostakovich's Seventh Symphony. That performance, too, had a period feel, but for quite different reasons.
Robert Zaller

Robert Zaller

Articles 8 minute read