Music

1916 results
Page 120
Ann Crumb and her father, George: Who inspired whom?

Orchestra 2001 at Trinity Center

What inspires composers?

Orchestra 2001 ranged across the spectrum of modern musical styles, with the usual hits and misses, depending on your personal biases.
Tom Purdom

Tom Purdom

Articles 4 minute read
Serkin: First-class pedagogy.

Peter Serkin at Curtis

A family affair at Curtis

Beethoven's sublime Diabelli Variations, one of the summits of Western art, capped Peter Serkin's benefit recital at the Curtis Institute, his alma mater. With family members both in attendance and on the program, it was in every sense a successful homecoming.
Robert Zaller

Robert Zaller

Articles 3 minute read
Yannick (above) brought an extra dimension to Mahler's fury.

Nézet-Séguin conducts Mahler (2nd review)

Yannick's first big test

Yannick Nézet-Séguin returned to his new Orchestra on a flying visit but with a weighty load: Mahler's titanic Sixth Symphony, which shared the program with Bach's Fifth Brandenburg Concerto. The lightly scored Bach was a bit swamped in Verizon Hall's cavernous spaces, but Mahler's mightiest score amply filled it in a disciplined and expressive reading.
Robert Zaller

Robert Zaller

Articles 4 minute read
The guts to take on a challenge.

Nézet-Séguin contemplates Mahler (1st review)

Yannick channels Stokowski (not to mention Mahler)

Yannick Nézet-Séguin sees next year's Philadelphia orchestra season as a homage to Stokowski's centennial here. But Yannick may be even gutsier than Stokowski in some respects. Consider his exuberant embrace of a Mahler work that Stokie avoided.
Steve Cohen

Steve Cohen

Articles 5 minute read
Effron: Swishes of the hips.

Curtis 20/21's All-Stravinsky concert

Learning from a master

Stravinsky throws an extraordinarily diverse range of influences— from early jazz to church hymns to folk music— into a breathtakingly concise package. I can't recall hearing it performed with as much pungent clarity and disciplined vigor as this.

Articles 3 minute read
DiDonato: Thrilling voice, but oh, those costumes. (Photo: Ken Howard.)

Met's "Enchanted Island' in HD-Live

Too much of a good thing, in your face

Big screen opera can be wonderful when its close-ups convey subtle gestures and notes. But as Enchanted Island demonstrates, the same proximity can make you gag when the characters are hamming it up to excess.
Steve Cohen

Steve Cohen

Articles 5 minute read
Blomstedt: Echoes of Ingmar Bergman.

Blomstedt conducts Beethoven

What we hear vs. what Beethoven heard

Should Beethoven be performed in the grand Romantic style or in the tighter manner of Beethoven's own times? Herbert Blomstedt managed to straddle both sides of that fence.
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read
A brilliant conductor who seemed to have strayed off the reservation.

Why Stokowski left the Orchestra

Not so happy ending (c. 1940): Why Stokowski left the Orchestra

The great conductor Leopold Stokowski arrived in Philadelphia 100 years ago. But when exactly did he leave, and why? The facts are complicated, but they tell us something about the eternal dance between temperamental artists and nervous orchestra boards.
Steve Cohen

Steve Cohen

Articles 3 minute read
Steinbacher: Beethoven would have growled.

Ticciati conducts Beethoven and Sibelius (2nd review)

Youth will be served

In his debut with the Philadelphia Orchestra, conductor Robin Ticciati made a strong impression with the Sibelius Second Symphony. The Orchestra can play this work in its sleep, but it was wide-awake for this occasion.
Robert Zaller

Robert Zaller

Articles 5 minute read
Ticciati: Where's the adversity?

Ticciati conducts Beethoven and Sibelius (1st review)

Sibelius meets Generation Z

It's refreshing to see a conductor breaking with tradition. But did Robin Ticciati's renderings make Beethoven and Sibelius sound better? Not this time.
Steve Cohen

Steve Cohen

Articles 2 minute read