View from the percussion section

Where are we? Or: My brilliant career as a percussionist

So you think it's easy to play percussion in an orchestra? That's what I thought, until I tried it.

Kile Smith

Apr 10, 2012 · Articles · 6 minute read

Verdi's "Requiem' by Vox Ama Deus

Vox confronts the 19th Century

Valentin Radu once again expanded the range of Vox Ama Deus, taking on the passion and flamboyance of a 19th-Century masterpiece that's generally performed by large modern orchestras.

Tom Purdom

Apr 10, 2012 · Articles · 3 minute read

Piffaro's 'West Becomes East'

Subverting the Conquistadores

The Spanish Conquistadores brought Renaissance and Baroque music to South America's native cultures. But as Piffaro's latest program demonstrated, the natives put their own stamp on everything from Psalms to Christmas.

Tom Purdom

Apr 03, 2012 · Articles · 4 minute read

Lyric Fest's salute to 1912

La Belle Epoque's last gasp

Lyric Fest's celebration of the music of 1912 provided a reminder of the cultural richness of La Belle Epoque, just before it died in the slaughter of the First World War.

Tom Purdom

Mar 27, 2012 · Articles · 4 minute read

Henze's "Elegy For Young Lovers'

Never trust a megalomaniacal poet

In a well-sung and well-played production, Hans Werner Henze's 1961 composition, Elegy For Young Lovers, lived up to its advance hype. The drama, alas, did not.

Steve Cohen

Mar 24, 2012 · Articles · 4 minute read

Between Bach and "O-o-h Child'

Kicking down the (musical) door, then and now

What does the drummer in “O-o-h Child” by the Five Stairsteps have in common with the cellist in a Bach Cantata? Well, try listening to either work without them.

Kile Smith

Mar 20, 2012 · Articles · 5 minute read

Mussorgsky's "Khovanshchina ' at the Met

Perpetually suffering Russia

The Metropolitan Opera's revival of Mussorgsky's Khovanshchina, rarely performed outside Russia, is a primer in the history of that country's unexampled suffering, and, for all its flaws, a testament to our common humanity.

Robert Zaller

Mar 20, 2012 · Articles · 5 minute read

Max Raabe's Weimar cabaret at the Merriam

Old world, new sound

Max Raabe's burnished baritone voice, pomaded hair, white satin bow tie, tails and patent leather shoes all speak of a gentler time in Germany, before the unspeakable crimes committed in World War II.

Merilyn Jackson

Mar 17, 2012 · Articles · 5 minute read

Jerusalem Quartet plays Shostakovich

The caged nightingale had to sing

The Jerusalem Quartet's traversal of three mid-period Shostakovich quartets took stamina of every variety, but its musicians met the challenge, and brought out something other groups haven't: Shostakovich's deep affinity with Jewish music.

Robert Zaller

Mar 17, 2012 · Articles · 6 minute read

Solzhenitsyn returns with the Chamber Orchestra

Eroica without the hero worship

Ignat Solzhenitsyn demonstrated that he's the ideal conductor for a symphony that's supposed to be a “grand and inspiring essay.”

Tom Purdom

Mar 06, 2012 · Articles · 5 minute read