Music
1932 results
Page 117

Mendelssohn Club sings Clearfield and Fauré
The sum of Andrea Clearfield's parts
Andrea Clearfield's ambitiously sprawling Tse Go La is the latest fruit of the composer's musical field trips to Tibet and by far the most substantial: a fantastic amalgam of cross-cultural influences.
Articles
3 minute read

Opera Company's "Manon Lescaut'
A vocal and visual knockout
The title role of Puccini's Manon Lescaut taxes even seasoned professionals. With just three weeks' rehearsal, the student Michelle Johnson carried it off with aplomb. Sumptuous costumes helped, too.

Articles
3 minute read

Donizetti's "L'Elisir d'Amore' by AVA
Donizetti meets Mussolini
Donizetti's L'Elisir d'Amore is a melodramatic comedy about love. Nic Muni's current production sets the story in Mussolini's Fascist Italy, where the stakes are life and death, not to mention damnation.

Articles
3 minute read

Lyric Fest: Three operas for children
Opera for kids meets
‘Anxious Parent Syndrome'
Lyric Fest, run by three mothers, opted for a riskier format for its annual children's concert, introducing its young audience to three famous but abridged operas.

Articles
4 minute read

Orchestra 2001 considers Bali (2nd review)
Flash and substance, by way of Bali
Orchestra 2001's recent Balinese music and dance program combined flash with substance, and crowd appeal with enlightenment— a rare achievement.

Articles
3 minute read

Curtis Orchestra plays Higdon, BartÓ³k and Brahms
The kids are all right
Jennifer Higdon, as much as any composer of her generation, has solidified the permanent significance of the American populist school, once led by Aaron Copland. Even from this youthful ensemble, her blue cathedral was rich and satisfying.
Articles
3 minute read

Met's "Traviata' in HD Live
One woman's race against time
Willi Decker's radical production isn't the only way to do Verdi's La Traviata, but it's a convincing alternative, especially with the inimitably vulnerable Natalie Dessay in the title role.

Articles
3 minute read

Rattle, the Orchestra and death
Rattle confronts the Grim Reaper
In its latter stages, Austro-German Romanticism mostly concerned the beauty of death. Simon Rattle demonstrated that he's learned something in Berlin about the subtle German approach to emotion.

Articles
3 minute read
Orchestra 2001 considers Bali (1st review)
What Boulez could learn from the Balinese
Orchestra 2001 spotlighted the relationship between Western music and Bali, in a concert that resembles a journey through exotic, sometimes rough terrain.

Articles
4 minute read

Bach, Christians and anti-Semitism: A reply
Fixing blame for anti-Semitism: A Christian perspective
Bach wasn't anti-Semitic, and neither is his St. John Passion. Neither was St. John himself. True Christians understand that Christianity is Jewish through and through.

Articles
5 minute read