Music

1916 results
Page 116
Dessay: No escaping that clock.

Met's "Traviata' in HD Live

One woman's race against time

Willi Decker's radical production isn't the only way to do Verdi's La Traviata, but it's a convincing alternative, especially with the inimitably vulnerable Natalie Dessay in the title role.
Steve Cohen

Steve Cohen

Articles 3 minute read
Rattle: Was Brahms an introvert?

Rattle, the Orchestra and death

Rattle confronts the Grim Reaper

In its latter stages, Austro-German Romanticism mostly concerned the beauty of death. Simon Rattle demonstrated that he's learned something in Berlin about the subtle German approach to emotion.
Victor L. Schermer

Victor L. Schermer

Articles 3 minute read

Orchestra 2001 considers Bali (1st review)

What Boulez could learn from the Balinese

Orchestra 2001 spotlighted the relationship between Western music and Bali, in a concert that resembles a journey through exotic, sometimes rough terrain.
Tom Purdom

Tom Purdom

Articles 4 minute read
Bonhoeffer, a Lutheran pastor, was executed by Hitler for equating Jews with God.

Bach, Christians and anti-Semitism: A reply

Fixing blame for anti-Semitism: A Christian perspective

Bach wasn't anti-Semitic, and neither is his St. John Passion. Neither was St. John himself. True Christians understand that Christianity is Jewish through and through.
Kile Smith

Kile Smith

Articles 5 minute read
Bell: Too boyish for his own good?

Joshua Bell at Verizon Hall

On taking Joshua Bell seriously

At 44, the violinist Joshua Bell is no longer a child prodigy, but he's still a matinee idol. His latest concert served notice that he's been taking himself seriously as a major classical musician all along as well.
Steve Cohen

Steve Cohen

Articles 4 minute read
Clark with teenagers, 1957: Straddling the generation gap.

I remember Dick Clark

Dick Clark, and a hint of things to come

A couple of lucky breaks brought Dick Clark to “Bandstand” and then national acclaim as big brother figure to America's teenagers. But Clark knew how to make the most of his opportunities, as I witnessed firsthand early in his career.
Steve Cohen

Steve Cohen

Articles 3 minute read
Ram: Like the call of a shofar.

Dolce Suono's "Russian Roots'

Shulamit Ran finds the ‘soul of the instrument'

Shulamit Ran, ending her composer-in-residence stint with Dolce Suono, seems to have uncovered heavenly aspects of the flute and viola previously hidden from other inquiring theologians.
Tom Purdom

Tom Purdom

Articles 4 minute read
Varga: Shades of Bernstein.

Orchestra plays Bartok and Stravinsky

Where lesser orchestras fear to tread

Two milestone works by Bartok and Stravinsky are rarely performed together because of the massively difficult effort involved. The Orchestra provided a rare chance to compare two great modern composers who changed the face of 20th Century music.
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read
Glandorf: Giving Bach the benefit of the doubt.

Bach Festival's "St. John Passion' and anti-Semitism

Bach, King Frederick and the Jews

Why did Bach immortalize the anti-Jewish Gospel of St. John? The question is worth considering during times of racial and religious intolerance, such as the present.
Steve Cohen

Steve Cohen

Articles 5 minute read
This time, Netrebko wasn't miscast.

Massenet's "Manon' at the Met

Those thighs, that bosom, that voice

When Anna Netrebko as the shameless Manon seduces Des Grieux the priest, the chemistry is hotter than Carmen's seduction of Don José. She was in terrific voice too, even though the action made it hard to focus on the singing.
Steve Cohen

Steve Cohen

Articles 5 minute read