Music

1932 results
Page 111
Lofton's chorus couldn't see him.

AVA's "Jubilate': Religion as opera

Taking opera to church

AVA's budding opera stars added operatic flair to the school's annual foray into religious music, performing as if they'd constructed characters who were singing their pieces.
Tom Purdom

Tom Purdom

Articles 3 minute read
Williams: A lower, darker, warmer Rosina.

AVA's suburban "Barber of Seville'

Opera in the 'burbs: Not just another performance

Like everything else in life, opera in the suburbs can be quite different from opera downtown. And sometimes it's even better.
Steve Cohen

Steve Cohen

Articles 4 minute read
Aleida: Dreams from exile.

Spanish songs by Lyric Fest (2nd review)

What musicians can learn from politicians

Four artists from the Academy of Vocal Arts sang an all-Spanish program. Given all the talk about America's growing Latin population, it's about time.
Steve Cohen

Steve Cohen

Articles 3 minute read
Prokofev preferred his cantata to the film.

Orchestra plays "Alexander Nevsky' (3rd review)

What Prokofiev wanted

The wedding of a live orchestra with the film of Alexander Nevsky may be fascinating, but Prokofiev's music really conveys more power when it stands alone, uninterrupted by long pauses for dialogue, sound effects and silent scenes.
Steve Cohen

Steve Cohen

Articles 4 minute read
Ward, Marrazzo, DuPlantis: What next?

Spanish songs by Lyric Fest (1st review)

Three unpredictable women

Lyric Fest transformed a concert of Spanish and Latin American songs into a complex historical trip through two continents.
Tom Purdom

Tom Purdom

Articles 4 minute read
Beethoven at work: Propinquity will do the trick.

How composers really work

Advice for aspiring composers: Stop all that strolling, and just stand still

Many people think composers do our composing on long walks. But to get any real work done, you've got to attach your posterior to a chair and have music paper in front of you. Consider how I composed “Softly and Tenderly.”
Kile Smith

Kile Smith

Articles 5 minute read
Eisenstein at work: Currying favor with Stalin?

Orchestra plays "Alexander Nevsky' (2nd review)

Don't mess with Mother Russia

This dusty old black-and-white film still packs a wallop, and the Philadelphia Orchestra deserves high praise for staging an exceptionally well prepared and powerfully executed production of this masterful mélange of art forms.

Articles 3 minute read
Hamelin: Shostakovich without terror.

Takács Quartet at the Perelman

More questions than answers

The Takács Quartet brought three substantial works to its recital in the Chamber Music Society series, with Marc-André Hamelin joining it for one. The haunting Britten Third Quartet was the program's centerpiece.
Robert Zaller

Robert Zaller

Articles 6 minute read
Did Eisenstein know that those scary knights were actually monks?

Orchestra plays "Alexander Nevsky' (1st review)

More than meets the ear, less than meets the eye

I've always loved Prokofiev's Alexander Nevsky cantata, drawn from Sergei Eisenstein's 1938 film after the fact. But hearing the music performed with this lugubrious film reminded me that propaganda rarely succeeds as drama.

Andrew Mangravite

Articles 3 minute read
Takeuti: In the spotlight, for once.

Chamber music: Philadelphia's secret weapon

When musicians go moonlighting

What do Philadelphia Orchestra musicians do in their free time? Many of them provide a rich talent pool for the city's diverse chamber music groups.
Tom Purdom

Tom Purdom

Articles 5 minute read