Music

1932 results
Page 110
Heimes: Regal greeting.

Piffaro's German holiday concert

A pre-industrial Christmas
(before folks gave gifts)

Piffaro devoted its annual holiday concert to the music of the German tradition that gave us some of our best-loved holiday music— a throwback to a more austere time when Christmas was celebrated with song rather than gifts. Piffaro: Christmas music by Praetorius, Jacob Handl et al. Laura Heimes, soprano. Joan Kimball and Bob Weimken, artistic co-directors. December 22, 2012 at Trinity Center, 2212 Spruce St. (215) 235-8469 or www.piffaro.com.
Tom Purdom

Tom Purdom

Articles 4 minute read
Monastryska: Voice over figure, just like the old days.

Verdi's "Aida' at the Met

Grandiosity, anyone?

At last, a Metropolitan Opera production that finds critics and audiences in agreement.
Steve Cohen

Steve Cohen

Articles 4 minute read
Weilerstein: Not too proud to play with amateurs.

The audience gets into the act

Could you sing Mozart?

When amateurs and children perform complex and demanding works, disaster is often the likely outcome. Nothing of the sort happened this weekend, which tells you something about the sophistication of Philadelphia music lovers.
Tom Purdom

Tom Purdom

Articles 4 minute read
Montone: Perfect offstage and on.

Orchestra plays Wagner (without the words)

Wagner without words

You might argue that Wagner without words is stupid, since most of his music was written to support opera librettos. But there's something to be said for hearing Wagner performed by a large orchestra, fully exposed in front of the audience.
Steve Cohen

Steve Cohen

Articles 3 minute read
For Christopher Plummer as Baron Von Trapp: An instant Austrian folk song.

'Let's Hang On': A composer's search for his culture

Who wrote ‘Edelweiss'? One composer's search for his cultural home

I'm an American composer with German roots that I can't shake off (and don't really want to). But I love my sweet land of liberty above all. So what defines my place in America's manufactured culture? What defines yours?
Kile Smith

Kile Smith

Articles 6 minute read
Lane: Who needs castrati?

Tempesta di Mare: After the Thirty Years War

Postwar celebration, c. 1650

Tempesta di Mare showcased the neglected German composers who plied their trade in the decades that followed the devastation of the Thirty Years War.
Tom Purdom

Tom Purdom

Articles 4 minute read

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Radvanovsky, Alvarez: Gimmickry for its own sake.

Verdi's "Masked Ball' at the Met

The production that flew too close to the sun

Most critics greeted the Met's new production of A Masked Ball with praise for the singing and catcalls for the production. I'd put it the other way around.
Steve Cohen

Steve Cohen

Articles 5 minute read
Shafer's silvery voice recalled the young Benita Valente.

Sarah Shafer, shining new soprano

We heard her first

Which of today's Curtis students will become tomorrow's stars? In the case of the gifted and intelligent soprano Sarah Shafer, it seems obvious.

Articles 3 minute read
Matsuev: Rapid but not rushed.

Orchestra's All-Rachmaninoff concert

A musical aristocrat (in the very best sense)

The Philadelphia Orchestra plays Rachmaninoff as well as any in the world, so why not double down? A risky proposition, you might think— but if great orchestras didn't embrace risky propositions, where would Mozart and Beethoven be today?
Robert Zaller

Robert Zaller

Articles 6 minute read
The Meiravis: Busy, busy.

Meiravi Quartet contemplates BartÓ³k

Why listen to BartÓ³k?

Was BartÓ³k's music about the clash of folk culture and the machine age? A new quartet added its bit to an old discussion.
Tom Purdom

Tom Purdom

Articles 4 minute read