Music
1932 results
Page 108

Choral Arts sings Rossini's "Petite Messe'
Joyful Christianity, for a change
Rossini, a master of comic opera, gave us a good-natured, beautiful mass for Saturday night— a piece that offers all the charm and grace of a romance with a happy ending.

Articles
4 minute read

Composer's quandary: Ideas vs. music (Part III)
Composer's quandary (continued): When the idea says ‘Yes,' but the music says ‘No'
Throwing out music is one of the composer's most necessary jobs. People ask composers how we get ideas, but ideas are easy. The hardest part is throwing out every idea except the one that's perfect.

Articles
6 minute read

Hugo Wolf's "Spanish Songs': Dual recital
This composer was depressed?
The charming British tenor Ian Bostridge and the pitch-perfect Austrian mezzo Angelika Kirchschlager make something of an odd couple. But they found their chemistry toward the end of a recital of Hugo Wolf's delightful Spanish Songs.
Articles
3 minute read

Tempesta di Mare's Bach with alterations
Bach without his organ
Tempesta di Mare sustained an old Baroque tradition, remodeling six of Bach's organ works to suit other instruments.

Articles
3 minute read

Two birds, one composer (Part II)
The composer's quandary: What does emotion really sound like?
Watching a fight between two birds had inspired me. Now came the real challenge: to pinpoint my emotion and translate it into music. Generic emotion, I knew, produces generic music, just as it produces bland acting, uninvolving painting, and vanilla poetry.

Articles
5 minute read

Shostakovich and free speech (3rd comment)
Shostakovich's problem, and ours
Even in a “free” society, creative people must confront the challenge that Shostakovich addressed in Stalin's Soviet Russia with his “Classical Symphony”: What do you do when your creative impulses conflict with the demands of the people who pay for your work?

Articles
6 minute read

Michael Djupstrom's contemporary pieces
The other side of the street
Like many young composers, Michael Djupstrom gives his work titles that link to stories and personal experiences. But in his case that's not necessary.

Articles
3 minute read

Yannick's new take on Bruckner
Bruckner, unhurried and very Austrian
Never have I heard Bruckner sound so Austrian as he did last weekend under Yannick's baton— not Classical, not Wagnerian, but relaxed in an Austrian way.

Articles
2 minute read

Richard Goode plays late Beethoven
Realms of elation
Richard Goode's annual Philadelphia recital brought a lifetime of engagement to Beethoven's last three piano sonatas, which collectively constitute one of the summits of musical literature.

Articles
5 minute read
Orchestra's "inter-war' concert (2nd review)
A tyranny Yannick never knew
Yannick Nézet-Séguin is only 37, with no conscious memory of Stalin or Hitler. Yet he instinctively grasped the emotions of composers who suffered under those tyrants.

Articles
3 minute read