Music

1932 results
Page 107
Kaufman tempted: Handsome, sweet and clueless.

Wagner's "Parsifal' at the Met

No country for wise men

Wagner's Parsifal may lack much in the way of a story or singable tunes, but the new Metropolitan Opera production exquisitely captures the spirit of holy Christian reverence that lies at its heart.
Steve Cohen

Steve Cohen

Articles 5 minute read
Orchestra upstaged by a trapeze act: What would Jules Feiffer say?

Yannick at cruising speed (2nd review)

Memo to Yannick: You're my man, but please skip the gimmicks

I now await Yannick's Philadelphia Orchestra concerts with the same anticipation I felt for Leonard Bernstein in 1960. But were those visuals and the trapeze act grafted on to Le Sacre du Printemps really necessary?
Dan Coren

Dan Coren

Articles 4 minute read
Priscilla Smith: Dancing fingers on the shawm. (Photo: Jeffrey Hornstein.)

Across 500 years: Piffaro teams with Orchestra 2001 (1st review)

Old wine in new bottles (and vice versa)

Although five centuries separate their music, Piffaro and Orchestra 2001 mounted a joint concert that celebrated two of Philadelphia's happiest cultural developments of the last 40 years.
Tom Purdom

Tom Purdom

Articles 5 minute read
Kichtchenko soared above (and may have distracted from) the Orchestra.

Philadelphia Orchestra's "Rite of Spring' (1st review)

Six degrees of separation

What are Bach, Ravel and Stravinsky doing together on the same program? Old Philadelphia Orchestra devotees know the answer. And so, apparently, does the Orchestra's new music director, Yannick Nézet-Séguin.
Steve Cohen

Steve Cohen

Articles 4 minute read
McGill: Guest clarinetist of choice.

Dolce Suono's dialogue with Debussy

If Debussy could talk….

Dolce Suono exploited an extra-special Old School Tie and continued its celebration of Debussy's 150th birthday with a program that included a composer Debussy didn't like.
Tom Purdom

Tom Purdom

Articles 4 minute read
Wright's claustrophobic hallways at Fallingwater (above) were deliberate.

Composing on deadline (Part IV)

With a little help from Frank Lloyd Wright, George Eliot and my daughter

My piece was pretty much finished when I sent it to both of the intended performing groups for feedback. They informed me that my high F's weren't playable on the shawms. What to do? Rewrite everything? No time for that.
Kile Smith

Kile Smith

Articles 7 minute read
William Burden, Kelly Kaduce: Happily ever after?

Opera Philadelphia's "Silent Night' (2nd review)

The monster of war

Silent Night is a very effective new opera that could be made even better with some judicious tinkering. The drama exudes a raw energy that doesn't shy away from the harrowing circumstances of war.

Articles 4 minute read
Not your usual chamber group.

East Coast Chamber Orchestra at the Perelman

A traveling town hall meeting for musicians

The East Coast Chamber Orchestra, an exceptionally talented and cohesive string ensemble, made a vivid impression with two masterworks of the war-haunted 1930s.
Robert Zaller

Robert Zaller

Articles 3 minute read

Sign up for our newsletter

All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.

Burden: The officers were appalled.

Opera Philadelphia's "Silent Night' (1st review)

When the fighting stopped

Kevin Puts's Silent Night is based on a remarkable true incident during the first Christmas Eve of World War I, when enemy soldiers in adjoining trenches spontaneously agreed to a brief truce, in defiance of their commanding officers. It‘s the kind of compelling story that's too often missing from today's operas.
Steve Cohen

Steve Cohen

Articles 4 minute read
FrÓ¼hbeck knew Carmina better than the composer. (Photo: Ignacio Gil.)

Orchestra's "Carmina Burana'

Who can argue with FrÓ¼hbeck?

Rafael Frühbeck de Burgos looks frail these days, and older than his 79 years, but he conducted Carmina Burana from memory in a gorgeously persuasive interpretation.
Steve Cohen

Steve Cohen

Articles 2 minute read