Music

1933 results
Page 104
The grandeur of Vienna, and the anger a few blocks away.

What was Mahler thinking? (1st comment)

Can art foretell the future?

Mahler's First Symphony baffled its listeners, and he never explained it. But its meaning seemed clear to me, at least.
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
Somerville: Passion, flirtation, solemnity.

Lyric Fest's "Rosetta Stone'

Found in translation

Lyric Fest never does anything quite the way anyone else would do it. The group finished its season with another program on an odd theme: songs by composers who took their texts from foreign languages.
Tom Purdom

Tom Purdom

Articles 4 minute read
Nelson (left), Costa-Jackson and skulls in the gallows scene: Impelled toward a climax.

Verdi's "Masked Ball,' by AVA

Romance, fate, murder and a fresh crop of singers

A Masked Ball often gets lost in the crowd from Verdi's prolific middle period. The Academy of Vocal Arts production turned it into one of my most exciting evenings of music drama in recent years.
Steve Cohen

Steve Cohen

Articles 4 minute read
Wainwight: Style over clarity.

Rufus Wainwright at Verizon Hall

He did it his (relatively safe) way

Like many gay men, Rufus Wainwright relates to the struggles of Judy Garland and Maria Callas, but conveying angst isn't his strong suit.
Steve Cohen

Steve Cohen

Articles 3 minute read

Dolce Suono's "Debussy and The Baroque'

Time-tripping with Debussy

Leave it to Dolce Suono to find a connection between Claude Debussy (1862-1918) and Baroque composers: The man incorporated early music movements into his work, just as he absorbed the influence of jazz and Asian art forms.
Tom Purdom

Tom Purdom

Articles 4 minute read
David had the 'right' voice for his psalms, and the right instrument, too.

The great debate: Sackbut or trombone?

Were the Dark Ages really dark? Or: Do musical instruments improve?

Is the modern trombone a better instrument than its Renaissance ancestor, the sackbut? That's like asking, "is Mahler better than Monteverdi?"
Kile Smith

Kile Smith

Articles 4 minute read
Stone as Papageno: Superb, but does it make sense?

Opera Philadelphia's "Magic Flute' (2nd review)

What should you expect from a dying composer?

If Mozart hadn't died two months after its 1791 premiere, his inconsistent and interminable Magic Flute might well have been remembered as a sideshow on the composer's path to greater achievements.
Steve Cohen

Steve Cohen

Articles 4 minute read
Bradshaw, Johnson, Smith, Dill: New group with an old subject. (Photo: Becky Oehlers.)

Piffaro showcases Laughing Bird

The faces (and voices) are familiar

Piffaro gave a younger early music group a helping hand and hosted a Saturday night musical party.
Tom Purdom

Tom Purdom

Articles 3 minute read

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Gilmore, Stone: Why would Mom do such a thing?

Opera Philadelphia's "Magic Flute' (1st review)

Mozart's last hurrah (and a few kind words for the Masons)

Mozart's The Magic Flute is a triumph of comic genius over turgid plot and Masonic mumbo-jumbo. Opera Philadelphia's highly entertaining production, first staged by the Canadian Opera Company, brings it off nicely.
Robert Zaller

Robert Zaller

Articles 6 minute read
Matthews: The voice of Mother Poland itself.

Orchestra 2001 plays Crumb and Gorecki

From Hitler to Apollo, in just 30 years

Small music groups get short shrift in this year's Philadelphia International Festival of the Arts. Orchestra 2001 earned a spot by contriving a program that focused on two wildly different historic events.
Tom Purdom

Tom Purdom

Articles 4 minute read