Music

1926 results
Page 104
Bradshaw, Johnson, Smith, Dill: New group with an old subject. (Photo: Becky Oehlers.)

Piffaro showcases Laughing Bird

The faces (and voices) are familiar

Piffaro gave a younger early music group a helping hand and hosted a Saturday night musical party.
Tom Purdom

Tom Purdom

Articles 3 minute read
Gilmore, Stone: Why would Mom do such a thing?

Opera Philadelphia's "Magic Flute' (1st review)

Mozart's last hurrah (and a few kind words for the Masons)

Mozart's The Magic Flute is a triumph of comic genius over turgid plot and Masonic mumbo-jumbo. Opera Philadelphia's highly entertaining production, first staged by the Canadian Opera Company, brings it off nicely.
Robert Zaller

Robert Zaller

Articles 6 minute read
Matthews: The voice of Mother Poland itself.

Orchestra 2001 plays Crumb and Gorecki

From Hitler to Apollo, in just 30 years

Small music groups get short shrift in this year's Philadelphia International Festival of the Arts. Orchestra 2001 earned a spot by contriving a program that focused on two wildly different historic events.
Tom Purdom

Tom Purdom

Articles 4 minute read
With some of my fellow Maccabees, 1950. I'm in the middle. And no, we weren't Jewish.

My ticket to glory, 1950 (a memoir)

How do you get to Philadelphia? Practice, practice

I was a small town boy of eight when I was drafted into a children's accordion band. My musical efforts paid off with a TV appearance and my first mind-boggling visit to a real city— Philadelphia— where I rode my first elevator and subway train, ate in my first automat, and saw my first black people.
Jim Tirjan

Jim Tirjan

Articles 10 minute read

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Fabiano (left), Meade: Making the spectacular seem effortless.

Verdi's "I Lombardi' in concert in NY

Verdi's forgotten stepchild

Verdi's much-neglected I Lombardi has much to offer in the way of innovative music and vivid scenes. A concert version featuring the superb voices of Angela Meade and Michael Fabiano may help rescue it from its undeserved obscurity.
Steve Cohen

Steve Cohen

Articles 4 minute read
The young Solzhenitsyn: Exile's return.

Chamber Orchestra's "Fall of the Berlin Wall'

Another rebirth of freedom

The Philadelphia International Festival of the Arts commemorated a major 20th Century event with the right music conducted by the right conductor.
Tom Purdom

Tom Purdom

Articles 5 minute read
Staples: A conversational narrator.

Bach's Passions, two ways (3rd review)

Ethereal music, disturbing words

Until a few decades ago, audiences who weren't German were not cognizant of the words in Bach's Passions. Now, with projected translations, audience members notice, and some of them are disturbed— and rightly so.
Steve Cohen

Steve Cohen

Articles 6 minute read
If I listen carefully to the robin's song— or to a foreign language— I get the gist of the conversation.

We speak in music

To peek inside the human soul, stop reading and listen

Our written language may be poetic, but a large part of our spoken communication is music. And often it's our music rather than our words that reveals our inner landscape to each other.
Pete M. Wyer

Pete M. Wyer

Articles 7 minute read
Kidwell: Exciting trills.

Bach's Passions, two ways (2nd review)

Back-to-back Bach, or: Sympathy for Pontius Pilate

The Philadelphia Orchestra's dramatic production of Bach's St. Matthew Passion won't soon be forgotten. But it benefitted from its juxtaposition with a traditional performance by Vox Amadeus.
Tom Purdom

Tom Purdom

Articles 5 minute read
The Borodin: In place of ear candy, caviar.

Borodin Quartet plays Shostakovich and Beethoven

Shostakovich, by those who knew him well

The Borodin Quartet, in its first Philadelphia visit in 15 years, brought a more burnished Shostakovich than we're accustomed to hearing. That's because these Russian musicians are no longer “discovering” Shostakovich, as the West still is.
Robert Zaller

Robert Zaller

Articles 6 minute read