Music

1916 results
Page 102
Mugging, smirking or feeling?

Rattle and Lang Lang with the Orchestra

Lang Lang grows up

A varied program by Sir Simon Rattle included a most peculiar linking of the Sibelius Sixth and Seventh Symphonies. The histrionic Lang Lang, conversely, is beginning to appreciate that the music is more important than the musician.
Robert Zaller

Robert Zaller

Articles 5 minute read
Britten: Two key questions about life and death.

Musicians from Marlboro at the Perelman

A feast before the famine

In a concert of highly contrasting works by Stravinsky, Britten and the young Johannes Brahms, the young Musicians from Marlboro played as if they'd been together for years. A happy audience dispersed to face, alas, Philadelphia's annual summer chamber music drought.
Robert Zaller

Robert Zaller

Articles 6 minute read
Simon Cowell's bluntness does contestants a favor.

The fallacy of "The Voice'

Follow your passion, but what's your second choice?

My teenage daughter, infected by TV shows like “The Voice,” hopes to be a famous singer. Should I encourage her fantasy or squelch it?
Maria Thompson Corley

Maria Thompson Corley

Articles 4 minute read
The grandeur of Vienna, and the anger a few blocks away.

What was Mahler thinking? (1st comment)

Can art foretell the future?

Mahler's First Symphony baffled its listeners, and he never explained it. But its meaning seemed clear to me, at least.
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
Somerville: Passion, flirtation, solemnity.

Lyric Fest's "Rosetta Stone'

Found in translation

Lyric Fest never does anything quite the way anyone else would do it. The group finished its season with another program on an odd theme: songs by composers who took their texts from foreign languages.
Tom Purdom

Tom Purdom

Articles 4 minute read
Nelson (left), Costa-Jackson and skulls in the gallows scene: Impelled toward a climax.

Verdi's "Masked Ball,' by AVA

Romance, fate, murder and a fresh crop of singers

A Masked Ball often gets lost in the crowd from Verdi's prolific middle period. The Academy of Vocal Arts production turned it into one of my most exciting evenings of music drama in recent years.
Steve Cohen

Steve Cohen

Articles 4 minute read
Wainwight: Style over clarity.

Rufus Wainwright at Verizon Hall

He did it his (relatively safe) way

Like many gay men, Rufus Wainwright relates to the struggles of Judy Garland and Maria Callas, but conveying angst isn't his strong suit.
Steve Cohen

Steve Cohen

Articles 3 minute read

Dolce Suono's "Debussy and The Baroque'

Time-tripping with Debussy

Leave it to Dolce Suono to find a connection between Claude Debussy (1862-1918) and Baroque composers: The man incorporated early music movements into his work, just as he absorbed the influence of jazz and Asian art forms.
Tom Purdom

Tom Purdom

Articles 4 minute read

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David had the 'right' voice for his psalms, and the right instrument, too.

The great debate: Sackbut or trombone?

Were the Dark Ages really dark? Or: Do musical instruments improve?

Is the modern trombone a better instrument than its Renaissance ancestor, the sackbut? That's like asking, "is Mahler better than Monteverdi?"
Kile Smith

Kile Smith

Articles 4 minute read
Stone as Papageno: Superb, but does it make sense?

Opera Philadelphia's "Magic Flute' (2nd review)

What should you expect from a dying composer?

If Mozart hadn't died two months after its 1791 premiere, his inconsistent and interminable Magic Flute might well have been remembered as a sideshow on the composer's path to greater achievements.
Steve Cohen

Steve Cohen

Articles 4 minute read