Music

1933 results
Page 100
Woodhams: Playing for the eye as well as the ear.

Orchestra plays Britten, Strauss and Mahler

Clothes make the music man

Oboist Richard Woodhams took the stage in a tailored blue shirt, worn outside his pants— It symbolizes a change in attitude— a signal that the Philadelphia Orchestra understands its need to experiment and adapt.
Tom Purdom

Tom Purdom

Articles 4 minute read
Stokowski reincarnated?

Yannick leads Beethoven’s Ninth (2nd review)

Yannick leaps off a musical cliff

Yannick Nézet-Séguin is emerging as an artist of notable imagination and daring. In the final movement of Beethoven’s Ninth he was maybe a little too daring.

Articles 3 minute read
Yannick: A long sojourn in a serene world.

Yannick leads Beethoven’s Ninth (1st review)

In the quest for goose bumps, size matters

Yannick-Nézet Séguin’s version of Beethoven’s Ninth inadvertently demonstrated that the same work can be performed in radically different ways. He made the most of the Philadelphia Orchestra’s major asset: Its size.
Tom Purdom

Tom Purdom

Articles 4 minute read
Catana: Does this look like a bloodthirsty tyrant?

Opera Philadelphia’s ‘Nabucco’ (2nd review)

The mightiest man on Earth? (and other flaws in Verdi’s Nabucco)

Nabucco’s characters lack depth, and the music is less accomplished than what Verdi would write just a few years later. So director/designer Thaddeus Strassberger was indeed clever to mount this Nabucco as it might have been performed in Italy in the 1840s.
Steve Cohen

Steve Cohen

Articles 4 minute read

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All we need is Boross (above) and a chorus.

Opera Philadelphia’s ‘Nabucco’ (1st review)

Jehovah vs. Baal, then and now

Verdi’s dramatically clunky Nabucco was a broadly drawn metaphor for Austria’s domination of Italy. Thaddeus Strassberger constructs a play around a play in an effort to mask some of the drama’s weaknesses. Its virtues include a fiery new soprano and a final moment of genuine theatrical magic.

Articles 4 minute read
Mutter: Echoes of Mischa Elman.

Philadelphia Orchestra’s Tchaikovsky opening

Back to the future with Yannick and Anne-Sophie

What have the Russians done for us lately? Well, Tchaikovsky is timeless, as the violinist Anne-Sophie Mutter reminded us on opening night.
Steve Cohen

Steve Cohen

Articles 2 minute read
Rogerson: Composer to watch.

Orchestra 2001’s opening weekend (2nd review)

Young composer, astonishing head

Sometimes I dread poems set to music. But when it works, it’s art. Chris Rogerson's Fishing was one of three new works, each giving a prominent role to the keyboard.

Lesley Valdes

Articles 5 minute read
Barone: A problem with musical Utah.

Orchestra 2001’s opening weekend (1st review)

Confronting death (and Utah, too)

Orchestra 2001 opened its season with two moving glimpses at family life and a less rewarding visit to Utah’s national parks.
Tom Purdom

Tom Purdom

Articles 5 minute read
Lim: Between ambition and thoughtfulness.

Chamber Orchestra plays Beethoven and Mendelssohn

Lighter and brighter?

This kind of Chamber Orchestra concert inevitably raises a question: Do we hear anything we wouldn’t hear in a big orchestra performance?
Tom Purdom

Tom Purdom

Articles 4 minute read
Zhu: A piano that sings.

A selective guide to the 2013-14 season

I'm marking these on my calendar

Here's my idiosyncratic rundown on the coming year's musical events that arouse extra anticipation in this particular reviewer. But remember: My taste may not be yours.
Tom Purdom

Tom Purdom

Articles 5 minute read