Film/TV

669 results
Page 61
Seyfried, Moore: Identity theft.

Atom Egoyan's "Chloe'

Who's doing what to whom?

Veteran filmmaker Atom Egoyan's latest, Chloe, features a lethal sex triangle in which the victims are hard to tell from the victimizers— or is there a difference at all?
Robert Zaller

Robert Zaller

Articles 3 minute read
'Moving to a music of their own.'

Dickstein's "Dancing In the Dark'

Great Depression, greater paradox

Morris Dickstein's cultural history of the Great Depression has elevated our intellectual level several notches, revealing clearly and eloquently how the many pieces of a complex industrial culture fit together.
Patrick D. Hazard

Patrick D. Hazard

Articles 3 minute read
Williams (left), Wilkinson: Sinister ties to the CIA?

"The Ghost Writer': Polanski's revenge

Polanski gets even

Roman Polanski's The Ghost Writer takes a swipe at imperial America and its far-reaching tentacles. Polanski, who still faces extradition to the U.S. on a decades-old rape charge, has an axe to grind, but he also holds up a mirror that reflects the way much of the world sees us.
Robert Zaller

Robert Zaller

Articles 5 minute read
Bridges: Master of the squint and the shrug.

'Crazy Heart' vs. 'The Wrestler'

Jeff Bridges vs. Mickey Rourke: Kinder, gentler, and less effective

Crazy Heart is yet another “performer on the skids” story, but one with a killer soundtrack and masterful acting by Jeff Bridges. But the film lacks the gut-level truthfulness the less accomplished Mickey Rourke brought to every frame of The Wrestler. Crazy Heart. A film directed by Scott Cooper, based on a novel by Thomas Cobb. At Ritz at the Bourse, Fourth and Ludlow Sts. (215) 925-7900 or www.landmarktheatres.com, Also Bryn Mawr Film Institute, Ambler Theater, and local chains.
Judy Weightman

Judy Weightman

Articles 3 minute read
Bigelow on Oscar night: The imperial ethos triumphs again.

"The Hurt Locker' and the endless war

The limits of unflinching realism: One nagging question
 about The Hurt Locker

For its realistic portrait of a bomb squad in Iraq, The Hurt Locker won six Academy Awards, including “Best Picture.” Yet the small truths within this film implicitly condone the larger lies that took us into that war in the first place.
Robert Zaller

Robert Zaller

Articles 7 minute read

Jason Reitman's "Up in the Air' (2nd review)

The American Dream meets the Angel of Death

Jason Reitman's Up in the Air is this year's Hollywood morality tale. It's a throwback to Preston Sturges and Howard Hawks— in short, a Depression-era film for our depressed times. Up In the Air. A film directed by Jason Reitman, from the novel by Walter Kirn. At the Ritz Five, 214 Walnut St. (215) 925-7900 or www.landmarktheatres.com.
Robert Zaller

Robert Zaller

Articles 7 minute read
1927 poster: Hitler liked the visuals, not the content.

Fritz Lang's "Metropolis,' restored

Metropolis, as Lang intended it

Fritz Lang's futuristic 1927 silent masterpiece, Metropolis, isn't for everyone. But the recent discovery of a missing hour's worth of footage will help untangle some of the film's conundrums.

Andrew Mangravite

Articles 3 minute read
Hattie Morahan, Charity Wakefield in 'Sense and Sensibility' (2008): Inner suffering.

In defense of Jane Austen's prose

Jane Austen is still good in bed

Some folks rejoice at the current spate of Jane Austen film adaptations because they find her novels impenetrable. But if Austen's books are such a slog, why have they remained in print continuously for almost 200 years?
Alaina Johns

Alaina Johns

Articles 4 minute read
Ellroy: Minimalist poet of the underworld.

James Ellroy's "Blood's A Rover'

Through an American dream, darkly

James Ellroy's American dream is a high-definition nightmare of total political depravity that infects every character in his fiction, from presidents to bellhops. It is totally fascinating, perhaps because there is the sting of truth at its basis. Blood's A Rover. By James Ellroy. Knopf, 2009. 656 pages; $28.95. www.amazon.com.
Bob Ingram

Bob Ingram

Articles 5 minute read
Knightley (r.), with Matthew Macfadyen: The ulimate transformation.

Jane Austen novels on DVD

Jane Austen is ready for her close-up (and always has been)

Jane Austen's impenetrable prose is difficult to slog through— but her novels translate marvelously to the screen, as two DVD adaptations remind us. This is no accident. Long before the invention of cinema, Austen understood— as, say, Dostoyevsky or Proust or Mailer did not— the power of visual imagery.
Robert J. Murphy

Robert J. Murphy

Articles 5 minute read