Film/TV

675 results
Page 59
Zakaria: Advice for his adopted country.

Fareed Zakaria's "Post-American World'

Good riddance to American Exceptionalism

America is no longer the world's “shining city on the hill”— not because we've declined, but because the rest of the world is catching up. Fareed Zakaria's book, like his life, suggests a positive solution for Americans: Instead of fretting about losing, let's rejoin the human race.
Patrick D. Hazard

Patrick D. Hazard

Articles 4 minute read

"Phillies': The ultimate coffee-table book

Another miracle from the Phillies

Marcel Proust bit into a Madeleine to unleash a flood of childhood memories. Phillies offers old posters, baseball cards and ticket stubs that you can touch and caress. Top that, Kindle!
Steve Cohen

Steve Cohen

Articles 3 minute read

"True Grit' gets a remake

Tweaked Grit

The arch, awkward, faux-Victorian language almost worked in the original True Grit. But if you were born in 1995 and watching the Coen brothers' sendup of the 1969 sendup, you'd have to ask: What country, what planet spawned these people?

Reed Stevens

Articles 3 minute read
Mailer: Ryan O'Neal's nemesis.

"At the Fights': Writers on boxing

Raconteurs of the ring

At the Fights is more than a collection of great boxing prose, from Jack London to David Remnick; it also offers, perhaps inadvertently, a study in the evolution of the prose of American sports journalism.
Bob Ingram

Bob Ingram

Articles 9 minute read
Kimberly Elise in ‘For Colored Girls’: In search of that miraculous quality.

"For Colored Girls' goes Hollywood

When a few good words are worth a thousand pictures

Listening to the poems of Ntozake Shange 35 years ago was a revelation. Seeing her words visualized on screen was a letdown.
Bob Levin

Bob Levin

Articles 5 minute read
Garvey: Do as I say, not as I do.

Mark Garvey's "Stylized': Admiration or adoration?

An obsessed writer is not a pretty sight

How many grammarians can dance on the head of a pin? The number pales beside the admirers and detractors of The Elements of Style, Strunk and White's classic guide to basic writing principles. And don't get me started about the proper usage of hopefully.
Judy Weightman

Judy Weightman

Articles 4 minute read
Swank, Rockwell: No one to turn to but each other.

Tony Goldwyn's "Conviction' and the death penalty

Who shall live and who shall die? America's death penalty lottery

Tony Goldwyn's Conviction tells one of the 254 stories of DNA exoneration through Barry Scheck's Innocence Project, most of them grim parables of judicial incompetence, bias, or worse. The film's subject spent 18 years in prison for a murder he didn't commit— luckily for him, in Massachusetts, a state with no death penalty. Conviction. A film directed by Tony Goldwyn. www.innocenceproject.org/know/conviction.
Robert Zaller

Robert Zaller

Articles 6 minute read
Noomi Rapace as Salander in 'The Girl With the Dragon Tattoo': Don't violate her boundaries.

Outsider heroes: Lisbeth Salander and Jack Reacher

The girl who kicked her computer, or: Who needs Facebook? Who needs friends?

Why do the action novels of Stieg Larsson and Lee Child sell millions of copies worldwide? Maybe because their fantasy heroes are individuals in the age of modern technology— unlike most of the rest of us, who've been enslaved by it.
Bob Ingram

Bob Ingram

Articles 5 minute read
Gans: Quest for a 'realistic utopia.'

Herbert Gans imagines America in 2033

An academic envisions a future he won't see

As its title suggests, my old colleague Herbert Gans's latest book is a hopeful and engaging imagined “history” of the first third of the 21st Century. It begins like a novel and ends as a series of clearly stated position papers on the issues that made George W. Bush's presidency such a tragic American aberration.
Patrick D. Hazard

Patrick D. Hazard

Articles 5 minute read
Howard, Damon: Death as a marketing ploy.

Clint Eastwood's 'Hereafter'

In the realm of the absurd: Clint Eastwood confronts eternity

Clint Eastwood's Hereafter speculates about what may— or may not— lie in the Great Beyond. A brilliant opening sequence is worth the price of admission, but Eastwood, himself a professed skeptic, loads his dice too easily, and brings his plot lines together too patly at the end.
Robert Zaller

Robert Zaller

Articles 6 minute read