Film/TV

671 results
Page 59
Kimberly Elise in ‘For Colored Girls’: In search of that miraculous quality.

"For Colored Girls' goes Hollywood

When a few good words are worth a thousand pictures

Listening to the poems of Ntozake Shange 35 years ago was a revelation. Seeing her words visualized on screen was a letdown.
Bob Levin

Bob Levin

Articles 5 minute read
Garvey: Do as I say, not as I do.

Mark Garvey's "Stylized': Admiration or adoration?

An obsessed writer is not a pretty sight

How many grammarians can dance on the head of a pin? The number pales beside the admirers and detractors of The Elements of Style, Strunk and White's classic guide to basic writing principles. And don't get me started about the proper usage of hopefully.
Judy Weightman

Judy Weightman

Articles 4 minute read
Swank, Rockwell: No one to turn to but each other.

Tony Goldwyn's "Conviction' and the death penalty

Who shall live and who shall die? America's death penalty lottery

Tony Goldwyn's Conviction tells one of the 254 stories of DNA exoneration through Barry Scheck's Innocence Project, most of them grim parables of judicial incompetence, bias, or worse. The film's subject spent 18 years in prison for a murder he didn't commit— luckily for him, in Massachusetts, a state with no death penalty. Conviction. A film directed by Tony Goldwyn. www.innocenceproject.org/know/conviction.
Robert Zaller

Robert Zaller

Articles 6 minute read
Noomi Rapace as Salander in 'The Girl With the Dragon Tattoo': Don't violate her boundaries.

Outsider heroes: Lisbeth Salander and Jack Reacher

The girl who kicked her computer, or: Who needs Facebook? Who needs friends?

Why do the action novels of Stieg Larsson and Lee Child sell millions of copies worldwide? Maybe because their fantasy heroes are individuals in the age of modern technology— unlike most of the rest of us, who've been enslaved by it.
Bob Ingram

Bob Ingram

Articles 5 minute read
Gans: Quest for a 'realistic utopia.'

Herbert Gans imagines America in 2033

An academic envisions a future he won't see

As its title suggests, my old colleague Herbert Gans's latest book is a hopeful and engaging imagined “history” of the first third of the 21st Century. It begins like a novel and ends as a series of clearly stated position papers on the issues that made George W. Bush's presidency such a tragic American aberration.
Patrick D. Hazard

Patrick D. Hazard

Articles 5 minute read
Howard, Damon: Death as a marketing ploy.

Clint Eastwood's 'Hereafter'

In the realm of the absurd: Clint Eastwood confronts eternity

Clint Eastwood's Hereafter speculates about what may— or may not— lie in the Great Beyond. A brilliant opening sequence is worth the price of admission, but Eastwood, himself a professed skeptic, loads his dice too easily, and brings his plot lines together too patly at the end.
Robert Zaller

Robert Zaller

Articles 6 minute read
Dorothea Lange's 'Migrant Mother': In crisis, diverse responses.

Peter Conn's "The American 1930s'

America's 1930s, in detail

Penn professor Peter Conn's The American 1930s is a scholarly wonder about a painful period. His perspective is more sociological than literary, and he misses little.
Patrick D. Hazard

Patrick D. Hazard

Articles 3 minute read

Mumia again: "Justice On Trial'

The case that won't (and shouldn't) go away

Justice on Trial, one of two documentaries about Mumia Abu-Jamal, puts Philadelphia's criminal justice system in the dock, showing how the dubious circumstances that made Abu-Jamal's trial and conviction in the 1981 slaying of Officer Daniel Faulkner were typical rather than exceptional— then and now.
Robert Zaller

Robert Zaller

Articles 7 minute read

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Matt Damon as a rugby hero: The truth is more complicated.

Clint Eastwood's "Invictus' (2nd review)

Mandela's world-class try

The blurbs for Invictus give you the impression that South Africa's victory in the rugby World Cup merely boosted the country's morale during a difficult time. The movie actually concerns something more complicated. Invictus. A film directed by Clint Eastwood. With Morgan Freeman (as Nelson Mandela), Matt Damon (as Francois Pienaar). Available on DVD.
Tom Purdom

Tom Purdom

Articles 4 minute read
Travolta: More than a soundtrack.

"Saturday Night Fever,' revisited

Should you be dancin'? Saturday Night Fever, revisited

Saturday Night Fever evokes a brief moment in pop culture history: the sexual freedom between the dawn of the Pill and the advent of AIDS. To those of us born to that particular slice of the Baby Boom, this gritty 1977 movie and its buoyant songs often strike a contradictory note.
Judy Weightman

Judy Weightman

Articles 8 minute read