Film/TV
669 results
Page 56
Dorothy Parker beneath the surface
All that wit, all that pain
The more I blabbed about Dorothy Parker's wit, the more I realized that I knew very little about her life before and after the Algonquin Round Table. Was I ever in for some biographical surprises.
Articles
4 minute read
"The Help' and "The Debt': Jessica Chastain's moment
Great teeth, great hair, and, well, you know the rest
Jessica Chastain has miles to go to match the force of Helen Mirren's mature persona. Until then, here's an actress beginning to stretch herself in two good movies aimed at very different audiences.
The Help. A film written and directed by Tate Taylor, from the novel by Kathryn Stockett. For Philadelphia area showtimes, click here.
Articles
5 minute read
Rowan Joffé's remake of "Brighton Rock'
Catholics without Catholicism
Graham Greene's chilling 1938 novel, Brighton Rock, hinges on the passionate Catholicism of a cruelly violent teen gangster and his easily manipulated girlfriend. Without that powerful religious underpinning, the new film adaptation doesn't make much sense.
Articles
4 minute read
"The Help': Racism, or just plain meanness? (1st review)
Sugarcoated segregation
Does The Help resurrect shameful stereotypes or provide worthy human and historical perspective in its portrayal of black maids in 1960s Mississippi? Tate Taylor makes it too easy to detach ourselves from the real problem.
Articles
5 minute read
David Goldblatt's history of soccer
How soccer conquered the world (except for one pesky nation)
How did we arrive at a world in which half of mankind watches the World Cup final? And most Americans wonder why they bother?
Articles
5 minute read
Michael McDonagh's "The Guard'
Law and order in western Ireland
The Guard pumps new comic life into a worn-out genre: the buddy cop flick. Not the least of its joys is Brendan Gleeson's turn as a shambling, shabby, happily corrupted bear of an Irish policeman who seems blissfully devoid of the Freudian hang-ups that plague most movie rogue cops.
Articles
4 minute read
Kate Atkinson: crime fiction for grownups
Our lady of life's existential mysteries
Kate Atkinson— a former literary novelist and playwright— isn't your ordinary mystery writer. She bends expectations, breaks conventions, plays with time and constructs grisly crimes that aren't always neatly solved. She astutely perceives that our fates aren't as easily foretold as tomorrow's weather.
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Woody Allen's "Midnight in Paris'
Name-dropping at midnight: Woody Allen explores the past (again)
What's so romantic about Paris? Don't look for answers in Woody Allen's Midnight in Paris. What Gertrude Stein said about Oakland also holds true for Woody Allen's lost Paris of the 1920s: There's no there there.
Articles
6 minute read
Malick's "The Tree of Life'
Adam without Eve: Terrence Malick returns to Eden
The Tree of Life, though flawed and at times exasperating, is Terrence Malick's most beautiful and humanly realized film since Days of Heaven, and a work that will be studied for many years to come. But it shows too the limits of a filmmaker whose vision, though deeply and rewardingly poetic, is stuck in adolescence and the rituals of male bonding and conflict.
Articles
9 minute read
Redford's "The Conspirator'
Who killed Abraham Lincoln?
Robert Redford's The Conspirator focuses on the trial of Mary Surratt for conspiracy in the assassination of Abraham Lincoln. Its real focus, though, is the contemporary War on Terror, and the question that perennially divides us— whether we are to be a society of laws or of men.
Articles
6 minute read