Film/TV

669 results
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George Clooney (left) with Hugh Bonneville as the token Brit amongst the monument men. (Photo by Claudette Barius - © 2013 - Columbia Pictures Industries, Inc. and Twentieth Century Fox Film Corporation. All Rights Reserved.)

George Clooney’s 'Monuments Men'

Saving Michelangelo

George Clooney’s Monuments Men makes an American heroes’ story of the largely British effort to recover looted art treasures during World War II. The historical record is considerably more mixed, though, and the film itself has neither the documentary fidelity nor the cinematic edge of such earlier takes on the subject as The Rape of Europa or John Frankenheimer’s The Train.
Robert Zaller

Robert Zaller

Articles 5 minute read
David Warner, Ellen Burstyn, John Gielgud, Dirk Bogarde: The creator's long, drawn-out tantrum.

Alain Resnais, God, and ‘Providence’

God as a novelist who’s losing his touch

Alain Resnais used the film medium to trample constructs like time, space, and memory with impunity — most notably, in my opinion, in his brilliantly inventive, provocative, and beautiful 1977 allegory, Providence.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
The blue-gray palette of "Llewyn Davis"

'Inside Llewyn Davis' and 'Her'

The production value of nostalgia

As period films, Inside Llewyn Davis and Her create new worlds for the camera. Through intricate production design, they evoke a particular kind of nostalgia, making viewers miss something they have never known.
Kayleigh Butera

Kayleigh Butera

Articles 3 minute read
Red carpet rolls1

The year I didn't go to the Academy Awards

And the winner is . . .

I truly care that quality films are made. But who actually wins an Oscar makes absolutely no difference to my life.
Susan Beth Lehman

Susan Beth Lehman

Articles 4 minute read

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The way we watch TV has changed a lot since 1958.

In defense of binge-watching

Reading novels and watching TV actually have a fair amount in common.
Judy Weightman

Judy Weightman

Articles 5 minute read
Kevin Spacey and Robin Wright star in “House of Cards.” (Photo by Melinda Sue Gordon - © Melinda Sue Gordon / Knight Takes King Prod.)

'House of Cards' on Netflix

The toxic world of political ambition

House of Cards is just good enough to make you wish it were better.
Armen Pandola

Armen Pandola

Articles 5 minute read
American GIs admire "In the Conservatory" by Édouard Manet. This painting from the Kaiser-Friedrich Museum in Berlin had been brought to the mine for safekeeping. (Photo credit: National Archives and Records Administration, College Park, MD / Public Domain)

'Monuments Men': a disappointing tribute

A great story still untold

I wish I could say that The Monuments Men is worthy of its subject and of the people who strove and died to save the art of western Europe. Instead, The Monuments Men is an action-comedy whose action is dull and whose comedy is formulaic.
Armen Pandola

Armen Pandola

Articles 11 minute read
Agata Trzebuchowska stars in Pawel Pawlikowski's 'Ida.'

Pawel Pawlikowski's 'Ida' at Sundance

Stumbling upon Ida at Sundance felt like participating in the celebration of independent film that you may not see anywhere else.
Kayleigh Butera

Kayleigh Butera

Articles 3 minute read
As Rusty in “Flawless” (1999). © 1999-Metro Goldwyn Mayer Pictures, Inc.-All rights reserved.

Philip Seymour Hoffman: An appreciation

Philip Seymour Hoffman was an actor who turned out to be better at inhabiting his characters' skin than his own.
Susan Beth Lehman

Susan Beth Lehman

Articles 3 minute read
Rampling (left), Bogarde in "The Night Porter": The attractions of sadism.

‘Hannah Arendt’: A gender issue (follow-up)

Seduced and deceived: Can we talk, please, about women and Nazis?

Could it be that both Hannah Arendt and her film biographer Margarethe von Trotta shared a degree of attraction to sadistic men that led them both to overlook the evil sadism in men like Adolf Eichmann?
Victor L. Schermer

Victor L. Schermer

Articles 6 minute read