Film/TV

675 results
Page 31
The hairdo, the lipstick, the gloves: Cate Blanchett in “Carol." (© 2015 – StudioCanal)

Todd Haynes's 'Carol'

Loved Carol, not Carol

Cate Blanchett fans will enjoy this vehicle, but Carol's engine misfires too often. Cate’s glowing character may be a lonely store clerk’s fantasy, but how might she have been treated in real life?

Michael Woods

Articles 4 minute read
McAdams, Keaton, Ruffalo: Triumphant moment, or a last gasp? (Photo: Open Road Films)

Tom McCarthy’s ‘Spotlight’ (second review)

Journalism’s rise and fall

Journalism was once a refuge for adventurers and drunks. Today, at its best, it’s become a moral role model even for the Vatican, as Spotlight compellingly demonstrates. But this is no time for self-congratulation.
Dan Rottenberg

Dan Rottenberg

Articles 8 minute read
A West Coast hero: Bryan Cranston in “Trumbo.”

'Bridge of Spies' and 'Trumbo'

Revisiting the Red Scare

Steven Spielberg’s Bridge of Spies and Jay Roach’s Trumbo are reminders, instructive and nostalgic, that what scares us now happened before, and we survived.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
A less cuddly House: Clive Owen in "The Knick"

A look back at 2015's best television

Looking at my list of my 2015 favorites, I still see shows featuring tortured men on the moral razor’s edge, torn between the two sides of their nature — but the cracks are beginning to show.

Paula Berman

Articles 6 minute read
Not since the ’60s: Shaffer, Clooney, Murray, Cyrus. (Photo by Ali Goldstein/Netflix - © 2015 – Netflix)

'A Very Murray Christmas' on Netflix

A snark-free holiday celebration

Bill Murray grew up, as I did, watching holiday specials of the ubiquitous variety shows of the '50s and '60s, and he celebrates them in his Netflix special, A Very Murray Christmas. The title encapsulates the overall vibe of the show, which both recognizes the cheesiness of the genre he’s recreating and sincerely respects it.
Judy Weightman

Judy Weightman

Articles 5 minute read
Women working together to bring down the villain: Ritter, Taylor. (Photo by Myles Aronowitz/Netflix)

'Jessica Jones' on Netflix

The future of female superheroes (maybe)

The only thing more deadly than superheroine Jessica Jones's strength is her quick, very snide sense of humor.
Chris Predmore

Chris Predmore

Articles 3 minute read
An acting tour de force by Tom Hardy. (Photo by Simon Mein - © 2015 - Universal Pictures)

Brian Helgeland's 'Legend'

Two for the price of one

Tom Hardy is extraordinary in Legend, Brian Helgeland’s biopic of the East End twins who dominated London’s crime scene in the 1960s. But a more searching film would have had more to say about the connections between high and low society.
Robert Zaller

Robert Zaller

Articles 4 minute read
A father-daughter moment: Qualley and Theroux. (Photo © 2015 HBO)

‘The Leftovers’ on HBO

Let the mystery be

The change of scene in season two of The Leftovers jolted the show from a meditation on grief into a crisis of conscience — and gave me hope that it won’t spiral into the incoherent plotting of creator Damon Lindelof’s previous show, Lost.

Paula Berman

Articles 5 minute read
Recording despite enormous risks. (Photo by Nathan Yakobovitch)

'East Jerusalem/West Jerusalem' at the Philadelphia Jewish Film Festival

Make music, not war

East Jerusalem/West Jerusalem documents an eight-day collaboration between Israeli, Palestinian, and American musicians making an album in an East Jerusalem music studio. The project, led by Israeli singer/songwriter David Broza, shows what can be achieved when human interaction replaces politics.
Stacia Friedman

Stacia Friedman

Articles 4 minute read
Who wants to find the truth? (Photo by Kerry Hayes)

Tom McCarthy's 'Spotlight' (first review)

Unlocking omerta

Spotlight shows how a group of reporters uncovered the Catholic Church’s decades-long omerta concerning priests sexually abusing children.
Armen Pandola

Armen Pandola

Articles 4 minute read