Film/TV

675 results
Page 30
Devilishly charming: Tom Ellis.

Fox TV's 'Lucifer'

Redeeming the ultimate bad boy

Lucifer is showing promise of something more sophisticated than a simple good vs. evil story set in a flashy fantasy environment. We are seeing a story unfold that questions the very nature of good and evil, and the proper place of both in today’s world.
Gary L. Day

Gary L. Day

Articles 3 minute read
A friend betrayed: Cannavale and Essandoh. (all photos © 2015 HBO)

'Vinyl' on HBO

Deep tracks

Vinyl is Scorsese at his most Scorsese. Unfortunately, the master offers little that we haven’t seen before.
Michael Fisher

Michael Fisher

Articles 5 minute read
A bravura portrayal: Gooding as Simpson. (photos © 2015, FX Networks)

FX's 'The People v. O.J. Simpson'

Revisiting the O.J. case

O.J. Simpson was not treated like any other defendant arrested for a double homicide. The characters involved aren’t the suspects you expect in a domestic murder — they’re squares in the crazy quilt of American celebrity.
Armen Pandola

Armen Pandola

Articles 4 minute read
Jane (Bella Heathcote) and Lizzie (James): no shrinking English maidens. (Photo by Jay Maidment - © 2015 CTMG, Inc.)

'Pride and Prejudice and Zombies'

Mr. Darcy slays zombies

It’s hard to get over your first Elizabeth Bennet (Greer Garson) and Mr. Darcy (Laurence Olivier), but Pride and Prejudice and Zombies adds two more candidates to my list of favorites.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Such nice young men.

John Ridley's 'American Crime,' season two

Too many shades of gray

The second season of American Crime raises intelligent questions: Can a teenager struggling with his sexual orientation and rough sex fantasies actually be raped, and is there any hope of establishing that legally? Or is Taylor an odd variation of the Victorian heroine who dreams of being ravished, but then decides that wasn’t such a good idea after the fact?
Rick Soisson

Rick Soisson

Articles 3 minute read
The media is complicit in Steven Avery’s ordeal. (© 2016 Netflix)

'Making a Murderer' on Netflix

When innocence isn't presumed

Making a Murderer is the compelling story of how our criminal justice system is broken; it describes a societal murder in which police, prosecutors, the media, and the public conspire to find “undesirables” guilty.
Armen Pandola

Armen Pandola

Articles 4 minute read
Happy VA Day: Celebrating with the Obergruppenführer.

'The Man in the High Castle' on Amazon

Baseball, apple pie, and swastikas

The Man in the High Castle is a revered masterpiece of the alternative history genre. Philip K. Dick’s original novel is mindbending; the Amazon series is considerably more grounded and dynamic than the novel, but no less compelling.
Mark Wolverton

Mark Wolverton

Articles 6 minute read
Competent but underwhelming: Sarah Hay. (Photo by Patrick Harbron - © 2015 Starz Entertainment, LLC)

'Flesh and Bone' on Starz

‘Black Swan’ Redux

Set in the cloistered world of professional ballet, Starz’s Flesh and Bone follows the journey of emotionally damaged dancer Claire Robbins. The series attempts to push the envelope with tabloid-worthy plot points but can’t transcend its balletic clichés and stale choreography to forge something original.
Erin Bomboy

Erin Bomboy

Articles 5 minute read
A shockingly unconventional use of animation. (both photos © 2015 Paramount Pictures)

Charlie Kaufman's 'Anomalisa'

Missed connections

Though weighted with its fair share of flaws and failures, Anomalisa is a formally audacious and emotionally affecting film, and a worthy counterpart to Kaufman’s other cinematic work.

Peter Myers

Articles 4 minute read
The female gaze: Vikander and Redmayne. (Photo © 2015 - Focus Features)

Gender presentation in 'The Danish Girl'

A different way of looking at gender

By rearranging The Danish Girl's narrative into conventional “woman stands by her man [sic]” tropes, the filmmakers can do something far more radical: proclaim the power of the female gaze.
Judy Weightman

Judy Weightman

Articles 5 minute read