Dance

655 results
Page 56
Nagrin in his prime: The soloist's companion was his studio.

"Remembering Daniel Nagrin' at Susan Hess Modern Dance

The man who danced (almost) forever

No other dancer commanded all the characteristics of the soloist Daniel Nagrin, who died last December at 91. But two of his protégés, Shane O'Hara and Donald Laney, gave an astonishing little concert in tribute to their incomparable mentor.
Merilyn Jackson

Merilyn Jackson

Articles 6 minute read
Lindsay De Looze (above), Elrey Belmonti: 1,001 ways to raise your blood pressure.

Anne-Marie Mulgrew's "SALT'

More than you ever wanted to know about salt

Anne-Marie Mulgrew's SALT is an ambitious choreographic exploration of one of the world's most vital commodities. But in its lack of focus and its technical imprecision, it comes across more like a scatterbrained doctoral thesis.
Jim Rutter

Jim Rutter

Articles 5 minute read
'Without Words': Issues closer to young dancers' lives.

National Dance Company of Spain 2 at Annenberg (2nd Review)

A thousand years of tenderness

In three modern works by Nacho Duato, the National Dance Company of Spain's junior troupe displayed incredible technical proficiency but achieved a fullness of sensibility only in one of them.
Jim Rutter

Jim Rutter

Articles 4 minute read
Duato's shapes form and dissolve.

National Dance Company of Spain 2 at Annenberg (1st review)

A pleasant jolt from Spain's second string

National Dance Company of Spain is one of Europe's most innovative troupes. However, it was the company's second-tier troupe that visited this time. No matter: This jayvee ensemble deserved its applause.

Janet Anderson

Articles 4 minute read
Hench, Lorenzo: The gauze costume lingered.

Pennsylvania Ballet's "Tango With Style' (3rd review)

Neenan reveals his sensual side

Keep, an impressive and powerful new work by Matthew Neenan, proved the highlight of the Pennsylvania Ballet's otherwise lackluster “Tango with Style” program. It's the most mature blend of emotions I've seen in Neenan's shorter works.
Jim Rutter

Jim Rutter

Articles 4 minute read
No more roses in ladies' mouths. (Photo: Alexander Iziliaev.)

Pennsylvania Ballet's "Tango With Style' (2nd review)

A troupe at the top of its game

Not long ago the Pennsylvania Ballet was struggling. Today it's a model artistic institution. Credit artistic director Roy Kaiser, who brings a dancer's instincts, institutional memory and personal commitment to the job.

Janet Anderson

Articles 5 minute read

Sign up for our newsletter

All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.

Wit, humor and a dash of the dark side.

Pennsylvania Ballet's "Tango With Style' (1st review)

Tango clichés (and how to avoid them)

The Pennsylvania Ballet's penultimate performance of the season was a pleasing mixture of one of the company's repertory works, Robert Weiss's Octet for Strings; Keep, a world premiere by its resident choreographer, Matthew Neenan; and Hans van Manen's Five Tangos, a company premiere of a work that's achieved international status. The corps was in good form, though the live musical accompaniment was often ragged in tone.
Robert Zaller

Robert Zaller

Articles 3 minute read
When mundane events meet post-modern physicality.

Megan Mazarick's "Avatard'

Through the virtual looking glass: Planet Cunningham?

Megan Mazarick's playful and imaginative Avatard joined the illusionistic cultures of video games and science fiction into a loopy mix.
Jonathan M. Stein

Jonathan M. Stein

Articles 2 minute read

test

test

test

Articles less than a minute read
Martha Clarke's 'Sandman': The Grand Guignol of choreography.

Jeanne Ruddy's "Juxtapose"

Civilization's trappings, stripped bare

Jeanne Ruddy Dance presented two divergent world premieres: Ruddy's elegant but confusing Lark, and Martha Clarke's lusciously nightmarish Sandman.
Jim Rutter

Jim Rutter

Articles 5 minute read