Dance

662 results
Page 49
Tara Keating, Matthew Prescott: Exciting but not transforming. (Photo: Alexander Iziliaev.)

BalletX and Wilma re-imagine Apollinaire (2nd review)

Where's the beef?

Apollinaire and the surrealists reveled in the absurd. But these performers aren't surrealists— they're modern-day artists performing an old piece of surrealist art. It's a treat for the senses, but there's not much here for the mind to chew on.
Madeline Schaefer

Madeline Schaefer

Articles 4 minute read
Back-flips and somersaults to inaudible voice-overs.

Rennie Harris Puremovement's hip-hop "Heaven' at the Perelman

A hip-hop Stravinsky

A muddy narrative undermined an otherwise memorable work that included some sterling and riveting hip-hop dance, choreographed by a legendary pioneer of the art form.
Jonathan M. Stein

Jonathan M. Stein

Articles 2 minute read
Ochoa (right) with Zachary Hench: They could have been weightlifters.

Pennsylvania Ballet: Balanchine and Millepied

When artists are athletes (and vice versa)

Arantxa Ochoa paired with Francis Veyette to match her strength and will against his in a pas de deux that blended gymnastics, contortionism and the execution of seemingly impossible poses.
Jim Rutter

Jim Rutter

Articles 6 minute read
Sottile, Tara Keating, Lamb: Mammarial balloons and talking kiosks. (Photo: Alexander Iziliaev.)

BalletX and Wilma re-imagine Apollinaire (1st review)

So you want surrealism?

BalletX and the Wilma Theater team up for a riotous paean to the creative spirit and imagination based on a 1916 work by the daddy of surrealism, Guillaume Apollinaire.

Articles 5 minute read

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Elo: Flirtation and frustration. (Photo: Eric Antoniou.)

Orchestra-Ballet's "Pulcinella' (2nd review)

Pulcinella, we hardly knew ye

Jorma Elo's adaptation of Stravinsky's Pulcinella is at once familiar, original and cunningly constructed. But it diffused the audience's understanding of a colorful story, leaving the lead couple as the only recognizable pair.
Jim Rutter

Jim Rutter

Articles 5 minute read
Eat your heart out, Anna Pavlova: This ballerina stays 'toujours en pointe.'

Basil Twist's puppet "Petrushka' at Annenberg

Who dances better than dancers?

The 1911 ballet Petrushka cast dancers as puppets. In Basil Twist's radical adaptation, puppets portray puppets— an ingenious concept, because puppets can do things that dancers can't.
Jonathan M. Stein

Jonathan M. Stein

Articles 4 minute read
Instead of hiding feeling, the mask intensifies it.

Kashu-juku Noh Theater at the Perelman (2nd review)

Is it theater or dance? Or baseball?

Is Japanese Noh drama or dance? In Western drama, something happens; in Noh, someone appears. Noh theater just may be one of those art forms that defy category, especially if you don't speak Japanese.

Articles 6 minute read
Hench (left), Fadeley: Beautifully precise. (Photo: Alexander Iziliaev.)

Myth vs. dreams in Wheeldon's "Swan Lake'

It was only a dream? Then give me my money back

In falling back on the framing device of a dream, Christopher Wheeldon's recent adaptation squanders the genuine mythical power of Swan Lake. The same goes for Darren Aronofsky's Black Swan.
Jim Rutter

Jim Rutter

Articles 4 minute read
Moore: Layered with expression.

Pennsylvania Ballet's "Swan Lake' (2nd review)

The swan competition: And the winner is….

In the coveted Swan Queen role, the up-and-coming dancers Brooke Moore and Lauren Fadeley both displayed the necessary technical skill. But only Moore truly inhabited the part.
Jim Rutter

Jim Rutter

Articles 5 minute read
Hench (left), Fadeley: Beautifully precise. (Photo: Alexander Iziliaev.)

Pennsylvania Ballet's "Swan Lake' (1st review)

Out of the forest and into the studio

Roy Kaiser says he wanted a Swan Lake that was an original production. He couldn't have known how well Christopher Wheeldon's poetic original interpretation of a long established classic would suit his company and his audience.

Janet Anderson

Articles 6 minute read