Dance

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Page 45
The author at work, 1969: What doesn't the Daily News know about me?

Confessions of an ex-go-go dancer

Sex object, or just another housewife? Confessions of an ex-go-go dancer

As the sweat pours down my fishnet stockings, these guys think they're gonna take me home and score, while I'm wondering if I can throw in a load of laundry before I heat up the leftover lasagna.
Merilyn Jackson

Merilyn Jackson

Articles 8 minute read
Echoes of machetes in a cane field.

"DanceBrazil' at Annenberg

When ‘Wow!' is all there is

DanceBrazil's high-octane, multicultural fusion of dance from three continents offered a feast for the eye and ear while somehow neglecting to feed the soul.
Jonathan M. Stein

Jonathan M. Stein

Articles 2 minute read
Something for the eye as well as the ear. (Photo: Alexander Iziliaev.)

Pennsylvania Ballet's "Messiah' (2nd review)

What would Handel have said?

If you're a Baroque music purist who's trying to be open-minded, the Pennsylvania Ballet's Messiah will evoke cheers in its best parts and raised eyebrows in others.
Tom Purdom

Tom Purdom

Articles 4 minute read
A 'Sleeping Beauty' that put no one to sleep.

Arizona: The new global ballet crossroads

One more reason to move to Arizona

To retired Americans with creaky joints, Arizona beckons with its warm temperatures and dry air. To up-and-coming dancers from places like Poland, Albania and Taiwan, increasingly, Arizona has become a magnet for cutting-edge ballet. Who knew?
Merilyn Jackson

Merilyn Jackson

Articles 5 minute read
Widell (left), Hench: Jesus, with a little help from his friends. (Photo: Alexander Iziliaev.)

Pennsylvania Ballet's "Messiah' (1st review)

Easter special

Robert Weiss's Messiah may be a Bible-based ballet, but it offers the physical strength and highly charged interactions of real theater.

Janet Anderson

Articles 2 minute read
Sensual men, robotic women.

Jasperse's "Fort Blossom revisited' at Bryn Mawr

Turning the tables on the ‘male gaze'

In his newest work, John Jasperse challenges conventional taboos with the help of four dancers— two graceful nude males and two fully clothed female dancers sporting backpacks. Ultimately, Fort Blossom revisited re-examines the arbitrary nature of the clothed body— what's hidden from us.
Jonathan M. Stein

Jonathan M. Stein

Articles 4 minute read

2011 highlights: Critic's choice

Theater or dance— who cares?

Even a dance critic can't help stumbling into the theater now and then— especially since so many plays these days seem to be about dance. Here are a few of my serendipitous highlights of the past year.
Merilyn Jackson

Merilyn Jackson

Articles 3 minute read
Kosoko: From empathy to bitter laughter.

Critic's choice: Dance highlights of 2011

A year of dancers who think for themselves

Even with a six-month toothache, I took in countless wonderful dance performances in 2011. The programs I mention here especially stand out for the way they caught me by surprise and often left me flustered and panting for more.
Merilyn Jackson

Merilyn Jackson

Articles 5 minute read
Genuine surprises for genuine kids.

A four-year-old's "Nutcracker' (2nd comment)

Fear of mice, conquered

Our granddaughter was not quite three when we introduced her to The Nutcracker. Last week we brought her back for a second helping. Anyone interested in early childhood development may well ask: What was different this time around?
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Veyette (left), Fadeley: A family tradition in more ways than one.

Pennsylvania Ballet's "Nutcracker' (1st review)

Even Scrooge's heart would melt

Once again, Pennsylvania Ballet trotted out a new corps of sugar plum fairies and little angels in what's become a Christmas tradition for the whole Philadelphia metropolitan region.

Janet Anderson

Articles 3 minute read