Dance

662 results
Page 42
Chase scene with Jonathan Krebs and Jamey Hampton: And the point is... (Photo: Michael Shay.)

BodyVox’s ‘The Cutting Room’ at Annenberg

They lost it at the movies

BodyVox’s The Cutting Room is part ballet, part modern dance, part multi-media performance, but mostly hodgepodge.
Gary L. Day

Gary L. Day

Articles 2 minute read
'Enemy Behind the Gates': Huggins designed the costumes, too.

Philadanco salutes Huggins at the Perelman

They can act, too

I just saw the most spectacular Philadanco concert I’ve ever seen— an all-Christopher L. Huggins celebration, with six of this young choreographer’s works. Each one gave me such goose bumps that I worried people could see them through my sweater.
Merilyn Jackson

Merilyn Jackson

Articles 5 minute read
Keigwin knows how to push an audience's buttons.

Keigwin + Company at Annenberg

Straightforward and unpretentious, but is it art?

The Annenberg audience loved Larry Keigwin’s pop-oriented dance troupe. I, on the other hand, found the presentation deeply flawed. Atrocious lighting didn’t help.
Gary L. Day

Gary L. Day

Articles 2 minute read
Mueller: No body doubles here.

'Flashdance The Musical' and Ballet X

Can you tell the dirty dancers from the ballerinas?

Street dancing once had the power to shock. Now there’s not much difference between the flashdancers of Flashdance The Musical and the classically trained dancers of BalletX. Which isn’t necessarily a bad thing.
Naomi Orwin

Naomi Orwin

Articles 5 minute read
Dance class by Degas: Before reality TV, YouTube and dance clubs.

Where have all the dance students gone?

Why study dance when you can party?

After teaching dance in Philadelphia for ten years, I can’t help wondering where all the dance students have gone. What competing attractions are grabbing their attention and money?

Roger Lee

Articles 2 minute read
Koresh dancer Jessica Daley: Getting psyched for battle. (Photo: Cabriel Bienczycki.)

Koresh Dance Company’s season opener

Intense, highly rhythmic and strangely engrossing

I’d known of the Koresh Dance Company, but until last weekend I’d had no exposure to its work. I came away from its seasonal opening boggled and bedazzled by what I’m prepared to call a major work.
Gary L. Day

Gary L. Day

Articles 2 minute read
Nichole Canuso, the all-wise expert of dance

Nichole Canuso's 'The Garden'

An exhilarating exploration of space and self

All reviews are subjective, of course. But never have I experienced a dance performance that is so individualized that objectivity is absolutely impossible.
Steve Cohen

Steve Cohen

Articles 3 minute read

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Taylor back in the day: The spirit endures. (Photo: Tom Caravalgia.)

Paul Taylor Dance Company at Annenberg

Still growing at 83

For 60 years Paul Taylor has created choreography that often deals with controversial themes and ideas. But he’s still evolving, as last weekend’s retrospective program demonstrated.
Gary L. Day

Gary L. Day

Articles 3 minute read
Childs: She did it her way.

Lucinda Childs: Origins of post-modern dance

Lucinda Childs, body and soul

Some of the best of Philadelphia’s modern dancers recreated the challenging work of Lucinda Childs, a pioneer of post-modern dance in America.
Jonathan M. Stein

Jonathan M. Stein

Articles 5 minute read
Diverse ethnicities, identical body types.

Our debt to "So You Think You Can Dance'

Where popularity trumps talent (which isn't necessarily bad)

Dance purists find “So You Think You Can Dance” superficial, commercial and degrading. Not me. In an age when dance desperately needs to expand its audience, this popular reality show shows us how to succeed— assuming we can stand success.

Roger Lee

Articles 2 minute read