Dance

662 results
Page 39
Daniel Sarabia and Patricia Delgado perform a Swan Lake pas de deux at Miami City Ballet. (Image courtesy of Wikimedia Commons.)

Copeland and Mack in the Washington Ballet's 'Swan Lake'

Black and white swans

Misty Copeland and Brooklyn Mack starred in Washington Ballet’s production of Swan Lake. This is the first time an American production of the ballet has cast black dancers as the leading couple.

Chrysta Brown

Articles 2 minute read
i.n.k. and water (both photos by Sharen Bradford)

Jessica Lang Dance at the Annenberg

Coming home

Like performing at the Super Bowl in front of your home crowd, Doylestown native Jessica Lang introduced her New York-based company to old friends, family, and art enthusiasts at the Annenberg Center.
Gregory King

Gregory King

Articles 2 minute read
Pennsylvania Ballet Principal Dancers Lauren Fadeley and Zachary Hench in Christopher Wheeldon’s “Swan Lake” (Photo: Alexander Iziliaev)

Two productions of 'Swan Lake'

The price of a swan

Contrary to what the “experts” say, ballet is neither dead nor dying. It is merely under the sort of spell that can only be broken by love for it.

Chrysta Brown

Articles 3 minute read
Black Grace: A repeatedly recycled routine of calisthenics

Black Grace at the Annenberg Center

Calisthenics as dance

The choreography in Black Grace's program at the Annenberg was a mixed bag, full of exuberance and young promise, yet lacking the heft of a mature artist.
Gary L. Day

Gary L. Day

Articles 2 minute read
Eschewing the cobra: Fadeley and Peters in “Prodigal Son” (photo by Alexander Iziliaev)

Prokofiev’s 'Prodigal Son' at the Pennsylvania Ballet (second review)

Loving the prodigal

Prodigal Son is one of only two Balanchine ballets from the Diaghilev period that survive to this day, no doubt because men and women still grapple with sin, evil, and justice, and because sons continue to rebel and fathers to forgive.
Sharon Skeel

Sharon Skeel

Articles 3 minute read
Expressive spikiness: Ian Hussey and Oksana Maslova in “Polyphonia” (photo by Alexander Iziliaev)

Prokofiev’s 'Prodigal Son' at the Pennsylvania Ballet (first review)

Going home again

The Pennsylvania Ballet Company has grown into a first-class troupe under Artistic Director Angel Corella, as its midwinter program showed.
Robert Zaller

Robert Zaller

Articles 3 minute read
Foxy Tann takes charge. (photo by New Spin Photo)

The Peek-A-Boo Revue at the Trocadero

Feminine intervention

The Peek-A-Boo Revue represents women who are not mainstream depictions of female sexuality and beauty, therefore providing a counter-narrative to conversations concerning sexual politics.
Gregory King

Gregory King

Articles 3 minute read
Not to dismantle but to reinvent. (Photo of Norbert De La Cruz III by Kristin Barr.)

BalletX: The process

BalletX is preparing a world-premiere work by Norbert De La Cruz III for its winter show.
Gregory King

Gregory King

Articles 3 minute read

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Thelma spotted some of the Snowflakes (above) doubling as Dewdrop Flowers. (Photo: Alexander Iziliaev.)

How kids see ‘The Nutcracker' (5th helping)

What’s a duck’s favorite ballet?

Five Decembers have passed since I embarked on a bizarre once-a-year quest to observe how children — specifically, my own grandkids, at The Nutcracker — develop an appreciation for great art. And by golly, I do believe a pattern is emerging.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Urgency, agony, and confusion: Chloe Felesina and Richard Villaverde in Olivier Wevers's “Instantly Bound” (Photo by Bill Hebert)

BalletX's Fall Series

The effort of creating beauty

The dances by Ballet X are not products so much as they are evidence of direct engagement with the process of creative discovery. The pieces are rough around the edges, daring, spirited, and so much fun.

Samantha Maldonado

Articles 3 minute read