Dance

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Page 38
Dancers declaring authority over their own bodies. (Photo by Hallie Martenson)

'Mash Up Body' at FringeArts

Order Interrupted

A wildly provocative examination of the female body and a journey toward exploring the feminist persona, Mash Up Body is campy, honest, stimulating, and bizarre.
Gregory King

Gregory King

Articles 2 minute read
Redistributing the space with taxidermy. (Photo by Kate Rains)

Lightning Rod Special's 'Let the Dog See the Rabbit'

Choreographed gestures at the Rotunda

Part museum exhibition and part performance art, Let the Dog See the Rabbit served up a plate of sumptuous delicacies with a side of comedy.
Gregory King

Gregory King

Articles 2 minute read
“[esc]”: A blunt reminder of superhuman skills. (photo by Grant Halverson)

Pilobolus at the Annenberg Center

Defying boundaries

Dancing by the long-running Pilobolus troupe is about fighting the limitations of not only the body, but also the environment and the imagination.
Ilene Raymond Rush

Ilene Raymond Rush

Articles 2 minute read

The Pennsylvania Ballet's Tribute to Jerome Robbins

A storyteller's legacy

The Tribute to Jerome Robbins was a triumph as the dancers from the Pennsylvania Ballet soared in their interpretation of Robbins’s works.
Gregory King

Gregory King

Articles 3 minute read

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Skill, energy, and charisma: RUBBERBANDance. (photo by Michael Slobodian)

RUBBERBANDance at the Annenberg

Hip-hop grows up

RUBBERBANDance Group's artistic director and choreographer Victor Quijada takes hip-hop dance language, with all the athletic expressiveness of urban youth culture, and injects it into a formal modern dance structure.
Gary L. Day

Gary L. Day

Articles 2 minute read
Daniel Sarabia and Patricia Delgado perform a Swan Lake pas de deux at Miami City Ballet. (Image courtesy of Wikimedia Commons.)

Copeland and Mack in the Washington Ballet's 'Swan Lake'

Black and white swans

Misty Copeland and Brooklyn Mack starred in Washington Ballet’s production of Swan Lake. This is the first time an American production of the ballet has cast black dancers as the leading couple.

Chrysta Brown

Articles 2 minute read
i.n.k. and water (both photos by Sharen Bradford)

Jessica Lang Dance at the Annenberg

Coming home

Like performing at the Super Bowl in front of your home crowd, Doylestown native Jessica Lang introduced her New York-based company to old friends, family, and art enthusiasts at the Annenberg Center.
Gregory King

Gregory King

Articles 2 minute read
Pennsylvania Ballet Principal Dancers Lauren Fadeley and Zachary Hench in Christopher Wheeldon’s “Swan Lake” (Photo: Alexander Iziliaev)

Two productions of 'Swan Lake'

The price of a swan

Contrary to what the “experts” say, ballet is neither dead nor dying. It is merely under the sort of spell that can only be broken by love for it.

Chrysta Brown

Articles 3 minute read
Black Grace: A repeatedly recycled routine of calisthenics

Black Grace at the Annenberg Center

Calisthenics as dance

The choreography in Black Grace's program at the Annenberg was a mixed bag, full of exuberance and young promise, yet lacking the heft of a mature artist.
Gary L. Day

Gary L. Day

Articles 2 minute read
Eschewing the cobra: Fadeley and Peters in “Prodigal Son” (photo by Alexander Iziliaev)

Prokofiev’s 'Prodigal Son' at the Pennsylvania Ballet (second review)

Loving the prodigal

Prodigal Son is one of only two Balanchine ballets from the Diaghilev period that survive to this day, no doubt because men and women still grapple with sin, evil, and justice, and because sons continue to rebel and fathers to forgive.
Sharon Skeel

Sharon Skeel

Articles 3 minute read