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Nkrumah Gatling (center) plays aspiring Harlem musician Coalhouse Walker Jr. as a man who believed in America's promise. (Photo by Lee A. Butz.)

Pennsylvania Shakespeare Festival presents 'Ragtime'

New music, familiar stories

‘Ragtime,’ based on E.L. Doctorow's novel, remains strikingly relevant at Pennsylvania Shakespeare Festival. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 4 minute read
Marissa Kennedy in "A Friend." (Photo by Said Johnson.)

SoLow Fest 2018: Automatic Arts' 'People Are Strange and Other Revelations'

Quirky quartet

Automatic Arts' SoLow Festival entry collects a fascinating foursome with familiar feelings. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 2 minute read
PAC's performances are strong but its lighting muddies the stage. (Photo by Ashley Labonde, Wide Eyed Studios ©2018.)

PAC presents 'Maria Marten, or, The Murder in the Red Barn' (second review)

Putting the drama in melodrama

Philadelphia Artists' Collective brings serious acting to a very silly play based on a 19th-century true-crime tale. Cara Blouin reviews.
Cara Blouin

Cara Blouin

Articles 3 minute read
Clinton Greenspan's Aladdin is polished and professional. (Photo by Deen van Meer.)

Broadway Philadelphia presents 'Aladdin'

Arabian blights

Disney’s ‘Aladdin,’ presented by the Kimmel Center's Broadway Philadelphia, fails to cast a magic spell. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read

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Blouin believes Braden Chapman crosses a line as Hedwig. (Photo by Garrett Matthews.)

reTHEATER presents John Cameron Mitchell's 'Hedwig and the Angry Inch'

Kind of a drag

Braden Chapman (a.k.a. Mimi Imfurst) of 'RuPaul's Drag Race: All-Stars' heads reTHEATER's 'Hedwig and the Angry Inch,' but critic Cara Blouin had a hard time enjoying the show. CW: this essay describes sexual acts that were assumed to be non-consensual.
Cara Blouin

Cara Blouin

Articles 5 minute read
Yannick Nézet-Séguin leads the orchestra in Tchaikovsky’s Fourth Symphony at the Haifa Auditorium. (Photo by Jan Regan.)

The Philadelphia Orchestra and "sacred spaces"

Take it to the streets

The Philadelphia Orchestra's tour of Europe and Israel brought out protesters, but why now, and why in the concert hall? Robert Zaller considers.
Robert Zaller

Robert Zaller

Articles 3 minute read
Bloom gives this photo the enigmatic title 'When You See Me Again It Won't Be Me.' (Photo courtesy of DaVinci Art Alliance.)

DaVinci Art Alliance presents Sarah R. Bloom's 'The Impermanence of Being'

Being there

Sarah R. Bloom's haunting self-portrait photography gets a showing at the DaVinci Art Alliance. Anndee Hochman reviews.
Anndee Hochman

Anndee Hochman

Articles 5 minute read
Three actors — L to R: Mosley, Johnson, and Amill — play the central character in 'Red Bike.' (Photo courtesy of Simpatico Theatre.)

Simpatico Theatre presents Caridad Svich's 'Red Bike'

A wild ride

Simpatico Theatre's production of Caridad Svich's 'Red Bike' serves the playwright better than its script does. Cara Blouin reviews.
Cara Blouin

Cara Blouin

Articles 2 minute read
PAC artistic co-directors Damon Bonetti and Dan Hodge alternate the role of villain William Corder. (Photo by Ashley Labonde, Wide Eyed Studios ©2018.)

Philadelphia Artists' Collective presents 'Maria Marten, or, The Murder in the Red Barn'

Murder, Foul and Funny

Philadelphia Artists’ Collective resurrects the melodrama with ‘Maria Marten, or, The Murder in the Red Barn.’ Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read
Mac and Philly's own Martha Graham Cracker visit the era of the speakeasy: 1916 to 1926. (Photo by Wendy Rosenfield.)

PIFA 2018: Taylor Mac's 'A 24-Decade History of Popular Music, Part II, 1896 to Present'

A queer 'Gesamtkunstwerk'

Taylor Mac’s 'A 24-Decade History of Popular Music, Part II' approaches perfect unity of music, text, and performance. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 5 minute read