Articles

6207 results
Page 589
584 sicko03 sm

Michael Moore's "Sicko'

Michael Moore is quite deliberately deficient in neutrality, balance and objectivity. But in a country where satire has become almost the only means to tell the truth, his voice is invaluable.

Sicko. A film by Michael Moore.
Robert Zaller

Robert Zaller

Articles 5 minute read
581 Bourne

The Bourne Redundancy

Where does Bourne go from here? As it happens, I’ve obtained a secret copy of the next Bourne sequel, The Bourne EOB. That’s right: The Bourne Explanation of Benefits.

The Bourne Ultimatum. A film directed by Paul Greengrass, with Matt Damon. www.thebourneultimatum.com.
Armen Pandola

Armen Pandola

Articles 5 minute read

John G. Johnson, Barnes and the Art Museum

A distant mirror:
John G. Johnson and the Art Museum

The saga of the John G. Johnson art collection may be an old story to many Philadelphians, but it was news to me. And it’s enough to terrify anyone concerned about the future of Albert Barnes’s unique collection.

Articles 3 minute read
579 haydn

You too can enjoy sonata-form (really)

Sonata-form is to me what the New Testament is to a born-again Christian. If I can sell you on the beauties and pleasures of examining how Classical music is put together, you’ll hear sounds of a magnificence you’ve never encountered before.
Dan Coren

Dan Coren

Articles 5 minute read
577 De Cicco Wicked

'Wicked' at the Academy of Music

Visually, this Wicked far outclasses what one normally sees outside of Manhattan. For a road production, it displays a rare look of luxury and permanence, and the lead roles are sung and played by two excellent performers, Victoria Matlock and Christina DeCicco, who even surpass the original cast in some ways.

Wicked. Words and music by Stephen Schwartz; book by Winnie Holzman. Through September 9, 2007 at Academy of Music, Broad and Locust Sts. (215) 893-1999 or
Steve Cohen

Steve Cohen

Articles 4 minute read
575 Vieen Rose2

"La Vie en Rose' (second review)

The greatest thing about Edith Piaf was her music, which gets short shrift in this film.

La Vie en Rose. Film directed by Olivier Dahan, with Marion Cotillard. At the Ritz Five, 214 Walnut St. (215) 925-7900 or www.ritztheaters.com.
Richard Chaitt

Richard Chaitt

Articles 2 minute read
574 Tiepolo Apollo

National Gallery tour— Part 5

All of Rococo art was a celebration of the high life and the holy life—both represented with great brio and style. I sometimes think latter generations have hated Baroque and Rococo Art because they made life seem so much better than it actually is.

National Gallery of Art, Fourth St. and Constitution Avenue NW, Washington, D.C. (202) 842-6799 or www.nga.gov.

Andrew Mangravite

Articles 3 minute read
571 elissa lee koljonen s

"Peter and the Wolf" at the Mann

If you feel children can’t achieve full adulthood without learning that an oboe can imitate a duck, you’d probably find this animated film version of Peter and the Wolf is less successful than a traditional narrated performance. But the kids on hand learned that a trip to the orchestra can be fun.

Philadelphia Orchestra: Britten Variations and Fugue on a Theme by Purcell, Prokofiev Peter and the Wolf, Shostakovich Violin Concerto No. 1 in A Min
Tom Purdom

Tom Purdom

Articles 4 minute read

Sign up for our newsletter

All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.

568 Calle Sophie

The Venice Biennale

The 52nd Biennale, curated for the first time by an American (Robert Storr, former director of the Museum of Modern Art), has 76 nations officially represented in the two main venues, Arsenale and Giardini. There are 34 collateral exhibits, many showing in palazzos. And you can find the famous Venetian sounds of silence in the off-hours.

“Think with the Senses – Feel with the Mind: Art in the Present Tense.” 52nd Venice Biennale, through November

Lesley Valdes

Articles 5 minute read
567 lucretzia

National Gallery tour— Part 4

It took an anonymous 15th-Century painting to stop me in its tracks with a vital truth about art, history, and life itself: namely, that our store of knowledge does not remain constant, nor does it endlessly expand. Rather, like the tide, it advances and falls back.

National Gallery of Art, Fourth St. and Constitution Avenue NW, Washington, D.C. (202) 842-6799 or www.nga.gov.

Andrew Mangravite

Articles 10 minute read