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Articles less than a minute read
Stephen Novelli as Darius, Melanye Finister as Atossa: Disowning defeat. (Photo: Mark Garvin.)

"The Persians' at People's Light

A 2,500-year-old play for all seasons

Ellen McLaughlin’s The Persians is a mesmerizing event for anyone interested in the constancy of human relationships and universal reactions to power.

The Persians. By Ellen McLaughlin; directed by Jade King Carroll. Through October 19, 2008 at People's Light and Theatre Company, 39 Conestoga Rd, Malvern, Pa. (610) 644-3500 or http://www.peopleslight.org.

Anne R. Fabbri

Articles 3 minute read
Solzhenitsyn: A spiritual conflict.

Baseball or Beethoven?

Baseball or Beethoven?
My dilemma resolved

Our music critic confronted a painful choice: The concert hall or the ballpark? Then Jimmy Rollins solved the dilemma for him.
Dan Coren

Dan Coren

Articles 3 minute read
Corinth’s ‘Salome II’ (1900): A fiercely sadistic religious compulsion.

Leipzig: The heady air of freedom

Leipzig: No longer a loser, or:
The freedom to be foolish

Leipzig took some of the meanest strokes of the late unlamented German Democratic Republic. What a difference a decade can make when such people awaken.
Patrick D. Hazard

Patrick D. Hazard

Articles 5 minute read
Chameleon changing color: How dominant sevenths become augmented sixths.

Sonata-form, Part 9: The augmented sixth

Sonata-form, Part 9: Beethoven's miraculous device, the augmented sixth

In Part 9 of his series on sonata-form, Dan Coren discusses one of the most sophisticated devices available in the toolkit of classical harmony: “For me, hearing a dominant seventh become an augmented sixth is one of the miracles of the natural world, something akin to seeing a chameleon change color.”
Dan Coren

Dan Coren

Articles 5 minute read
'Boston Harbor': No simple rendering of reality.

Thomas Chambers paintings at Art Museum

America's forgotten first modern

Thomas Chambers was an itinerant artist who traveled Jacksonian America's back roads, offering his works for sale in second-rank cities and prosperous towns. Yet his images corkscrew their way into your brain and remain there.

Andrew Mangravite

Articles 4 minute read
Bazell: A dream of urban flotsam and jetsam.

Scrap's "Tide' at Fringe Festival (2nd review)

Energy vs. environment on South Street

In Isaiah Zagar's mosaic garden on South Street, dancers perilously climbed and danced off walls of embedded bottles and ceramics in the early evening, when subtle lighting added a mysterious glow to the performance.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
South Philly: The locals joined in.

React/Dance's South Philly Tour, at Fringe Festival

Beyond gentrification's reach

React/Dance, led by Jacelyn Biondo and Kristen Shahverdian, took its dancers and audience on a tour of South Philly, with nary a chic restaurant or much of a sign of gentrification in sight.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read

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Coming soon to a lecture hall near you.

"The Giant Squid' at Fringe Festival

Science of the absurd

In a brilliant and very funny faux science lecture demonstration, the “class” discovers the life, times and sex life of a 600-ton squid that weighs "the same as the Norwegian Parliament."
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
The view from the steering wheel. (Photo: Jacques-Jean Tiziou.)

"Car' at Fringe Festival

All the world's a garage

In Car, director/choreographer Kate Watson-Wallace took audiences of three or four in a car ride within a parking garage— an ambitious, aggressive and sometimes violent experiment.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read