Articles

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Quasthoff: Next time, don't miss him.

Orchestra's "Damnation of Faust'

Faust is damned (and I'm bemused)

The Damnation of Faust is the kind of work that throws the literary half of my personality into a state of head-shaking bemusement. The musical half, on the other hand, revels in every bar. And this time I had no complaints with Simon Rattle.
Tom Purdom

Tom Purdom

Articles 3 minute read
Uchida: Could something be wrong?

Mitsuko Uchida at the Perelman

The agony and the ecstasy

Mitsuko Uchida's piano recital at the Perelman was, in some surprising ways, a deeply unsettling experience. But in the end, she demonstrated why she is a musical legend.
Dan Coren

Dan Coren

Articles 6 minute read

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Articles less than a minute read
O’Hara, Gross: Would you sleep with Hitler?

Greenberg's "Mother's Brief Affair' in California

Calling all masochists

Richard Greenberg won a Tony for Take Me Out. Several Philadelphia theater companies have staged his comedies. His latest, Our Mother's Brief Affair, recently opened in California. Let us hope it ventures no closer to Philadelphia.
Jim Rutter

Jim Rutter

Articles 3 minute read

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Beethoven's 'Pastorale' sounds like a brookside daydream, but....

Sonata form (Part 11): Recapitulation

How Beethoven changed everything

Beethoven devoted most of his career to intensifying the inherent drama of sonata-form. Ultimately he drilled so deeply into its bedrock that the form itself became barely recognizable in his very last works. In this 11th installment in his series on sonata-form, Dan Coren moves on to the recapitulation section.
Dan Coren

Dan Coren

Articles 6 minute read
Wagner composing: A vision that shifted.

Wagner's "Ring' cycle (Part 2)

The Ring keeps changing (but then, so did Wagner)

For the past half-century, producers of Wagner's Ring have focused on the characters' psychology, much more than on the telling of a story. Instead of celebrating German forests, castles and genius, they tapped into themes like fear of death and loss of control. All well and good. But must the original version disappear altogether?
Steve Cohen

Steve Cohen

Articles 5 minute read
Martha Clarke's 'Sandman': The Grand Guignol of choreography.

Jeanne Ruddy's "Juxtapose"

Civilization's trappings, stripped bare

Jeanne Ruddy Dance presented two divergent world premieres: Ruddy's elegant but confusing Lark, and Martha Clarke's lusciously nightmarish Sandman.
Jim Rutter

Jim Rutter

Articles 5 minute read
You're gonna put those...where? Image via Wikimedia Commons.

"Eggs' at People's Light

Children's theater for grownups

Eggs is children's theater with substance: a touching, compelling adaptation of Jerry Spinelli's novel about a friendship between two lonely misfit children.

Bill Murphy

Articles 2 minute read
Yoo: A super pusher.

The Baroque revival: Three concerts

Telemann's revenge, or: The sheer delight of going for Baroque

For musicians, today's Baroque revival has created new opportunities and challenges. For those of us who sit in the audience, it has broadened our experience and added new names to the musical firmament that were once long forgotten.
Tom Purdom

Tom Purdom

Articles 4 minute read
Peakes as the Walt Disney surrogate: Painting by the numbers?

Arden's "Something Intangible' (2nd review)

If it walks like a Disney and talks like a Disney….

By hewing too closely to the true story of Hollywood's Disney brothers, Bruce Graham distracts the audience from an otherwise generally entertaining play. Graham would do better to take his details from his own imagination rather than the historical record.
Steve Cohen

Steve Cohen

Articles 4 minute read