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Mom in my living room: Music as a means as well as an end.

My mother's greatest gift

Everything I needed in life, my mother taught me at the piano

My mother, the descendant of slaves, was a piano teacher who never pushed her kids to become musicians. But she insisted that all of us learn to play the piano. The sense of dedication we'd derive from that experience, she reasoned, would lead us to succeed in a profession that provided a good living, whatever it might be.
Maria Thompson Corley

Maria Thompson Corley

Articles 8 minute read
Something in common with Vince Fumo.

Wagner's 'Ring' cycle (Part 1)

An egomaniac for all seasons: Learning to love Richard Wagner

The Metropolitan Opera's current Ring cycle may be the last ever produced in the traditional four-night, 15-hour style envisioned by Richard Wagner. I've attended Wagner's operas for decades. Now I must persuade my neophyte wife to appreciate this brilliant (albeit obnoxious) composer before it's too late.
Steve Cohen

Steve Cohen

Articles 6 minute read
Lally, Malone: One mystical land after another.

EgoPo's "Bluebird' (1st review)

A child's garden of antidotes (c. 1908)

How should we instruct a child to go forward in life after a tragedy that deprives him of a treasured sibling, his only source of happiness? To answer this question, EgoPo stages an ambitious production of Bluebird, based on Maurice Maeterlinck's similarly titled mythical fable of 1908— a production so rich that it largely disproves Maeterlinck's thesis.
Jim Rutter

Jim Rutter

Articles 5 minute read

Picasso's last years, in New York

A genius confronts extinction: Pablo Picasso's final years

The late work of Pablo Picasso has received short shrift, but it's the magnificent culmination of the greatest artistic career since Goya— or Rembrandt and Velazquez, the 17th-Century masters whose persona Picasso adopted for his own. Curated by John Richardson, who knows more about Picasso than any man living, the current show at the Gagosian Gallery in Chelsea is a triumph in every respect.
Robert Zaller

Robert Zaller

Articles 6 minute read
Ekulona (left), Rashad: The uniforms hardly matter. (Photo: Joan Marcus.)

Lynn Nottage's "Ruined' on Broadway

What did you do in the war, mama?

Lynn Nottage's Ruined is an intense and searing play about the endless civil war in the Democratic Republic of Congo, whose primary victims are not soldiers but women. It's filled with robust, individualized characters who— despite their scars, their limps, their deformities— reveal their stamina and their humanity.
Toby Zinman

Toby Zinman

Articles 3 minute read
Wagner's Rhine maidens: Ultimate temptresses.

Wagner's "Ring' cycle (Part 3: "Das Rheingold')

Gold, power, sex, love: Wagner's Rheingold daydream

Wagner's Das Rheingold introduced a new form of opera, far removed from the tradition of Rossini, Donizetti and Verdi, and even different from Wagner's own earlier romantic operas like Lohengrin and Tannhauser. The orchestra states the themes, sets the mood and remains pre-eminent throughout.
Steve Cohen

Steve Cohen

Articles 7 minute read
Stone, McNeese in 'Schicchi': 1933 was not a good year. (Photo: Kelly and Massa.)

Opera Company's Ravel/Puccini double bill

Ravel meets Puccini (with a little help from a projector)

Ravel's opera L'enfant et les sortilèges runs only 45 minutes, and Puccini's Gianni Schicchi barely 55, but in tandem they make a full and satisfying evening, thanks especially to clever staging and excellent performances.
Steve Cohen

Steve Cohen

Articles 4 minute read
When mundane events meet post-modern physicality.

Megan Mazarick's "Avatard'

Through the virtual looking glass: Planet Cunningham?

Megan Mazarick's playful and imaginative Avatard joined the illusionistic cultures of video games and science fiction into a loopy mix.
Jonathan M. Stein

Jonathan M. Stein

Articles 2 minute read
Lane, Irwin: All in the timing. (Photo: Joan Marcus.)

"Waiting For Godot' on Broadway

Worth the wait

The new Broadway production (the first in more than half a century) of Waiting for Godot, under Anthony Page's rollicky direction and with its surprising casting, works by driving home Samuel Beckett's existential truths with laughter as well as pain.
Toby Zinman

Toby Zinman

Articles 3 minute read
Brey: In the shadow of Rostropovich.

Curtis Orchestra plays Russian masterworks

Are second thoughts best?

Curtis Orchestra's final concert of the season featured second thoughts on Russian masterworks by Prokofiev and Stravinsky. I'm not sure why Philadelphia couldn't hear some of Valery Gergeiev's recent traversal of the Prokofiev symphonies (which went to Washington), but the Curtis performances were at least a consolation prize. The caliber of this student orchestra, despite the annual changeovers of its graduation cycle, easily stands comparison with most professional groups anywhere.
Robert Zaller

Robert Zaller

Articles 4 minute read