Articles

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Stevens, Eisenhower, Leo: If you're at a roast dinner....

"Forbidden Broadway' at the Walnut's Studio 3

Beyond parody

Forbidden Broadway's Greatest Hits is a musical revue that abounds in faux-witty critiques of Broadway hit shows. The critiques hit their targets often; they're just not very funny or entertaining. And the targets are so easy to hit.
Dan Rottenberg

Dan Rottenberg

Articles 4 minute read
'Without Words': Issues closer to young dancers' lives.

National Dance Company of Spain 2 at Annenberg (2nd Review)

A thousand years of tenderness

In three modern works by Nacho Duato, the National Dance Company of Spain's junior troupe displayed incredible technical proficiency but achieved a fullness of sensibility only in one of them.
Jim Rutter

Jim Rutter

Articles 4 minute read
O'Rowe: Laughing at violence.

"Made in China' at the Adrienne

Those loveable Irish gangsters

In their works about violent bumbling gangsters, Ireland's leading contemporary playwrights seem to be taking up where the Three Stooges left off. Mark O'Rowe's darkly humorous and nasty Made in China succeeds only partially.
Jim Rutter

Jim Rutter

Articles 3 minute read
Duato's shapes form and dissolve.

National Dance Company of Spain 2 at Annenberg (1st review)

A pleasant jolt from Spain's second string

National Dance Company of Spain is one of Europe's most innovative troupes. However, it was the company's second-tier troupe that visited this time. No matter: This jayvee ensemble deserved its applause.

Janet Anderson

Articles 4 minute read

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The storm over Caryl Churchill's "Seven Jewish Children'

The power of theater: Eight minutes about Seven Jewish Children

Seven Jewish Children, Caryl Churchill's eight-minute play about January's Israel-Gaza war, has been attacked as a dishonest anti-Israeli rant. But the reactions and counter-reactions may matter more than the play itself. In triggering a global dialogue, Churchill has dramatized the power of theater to respond rapidly to political issues.

Carol Rocamora

Articles 7 minute read
‘North Fire Escape’: I am what I am.

Charles Newman oils at F.A.N. Gallery

The case for matter-of-factness

Not every artist can view the world through Edvard Munch's eyes, or Picasso's. Charles Newman's oils present an unadorned image of what the artist sees.

Andrew Mangravite

Articles 2 minute read
Kalichstein, Laredo, Robinson: Nimble, but not as advertised.

Kalichstein-Laredo-Robinson Trio at the Perelman

Enormous changes at the last minute

A late cancellation turned what promised to be an unusual and intriguing program of trios— with clarinet, horn, and piano joining the strings— into more ordinary fare. But the Kalichstein-Laredo-Robinson Trio, with guest Ricardo Morales, performed with the aplomb of a fine veteran group in works by Beethoven, Mendelssohn, and Tchaikovsky.
Robert Zaller

Robert Zaller

Articles 3 minute read
The title suited Peerce's memoirs, too.

EgoPo's "Bluebird' (2nd review)

A lesson from the Bluebird (with a little help from Jan Peerce)

Who else but EgoPo would tackle a play like Maurice Maeterlinck's Bluebird? And what other company could lavish so much time on learning and rehearsing such a daunting work, whose language and style are alien to most audiences and to almost all of today's actors?
Steve Cohen

Steve Cohen

Articles 5 minute read
James Morris as Wotan: Hitler's forebear?

Wagner's "Ring' cycle (Part 4: 'Die Walküre')

Die Walkure: Wotan's children (and Hitler's too?)

Wagner really was at the top of his game when he wrote Die Walküre. Perhaps he was energized by the chance to glamorize incest and throw it in the face of conventional society. But his greatest inspiration was the difficult father-daughter relationship between Wotan and Brünnhilde.
Steve Cohen

Steve Cohen

Articles 7 minute read
Hench, Lorenzo: The gauze costume lingered.

Pennsylvania Ballet's "Tango With Style' (3rd review)

Neenan reveals his sensual side

Keep, an impressive and powerful new work by Matthew Neenan, proved the highlight of the Pennsylvania Ballet's otherwise lackluster “Tango with Style” program. It's the most mature blend of emotions I've seen in Neenan's shorter works.
Jim Rutter

Jim Rutter

Articles 4 minute read