Articles

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Page 516
Daisey: A Bush beneficiary.

Daisey's 'Last Cargo Cult' at Live Arts Festival

Preaching to the choir

Mike Daisey's humorous monologues offer therapeutic relief to the lefty mainstream. But as a performance artist, he lacks the stagecraft or imaginative language of Spalding Gray.

Articles 3 minute read
Laherty, Pictot: Sidewalk therapy.

"small metal objects' at Live Arts Festival

Grasping at intimacy on a city street

small metal objects ingeniously invites us to eavesdrop on an intimate personal conversation in the context of a crowded urban street.
Jonathan M. Stein

Jonathan M. Stein

Articles 2 minute read
Embarrassing himself for decades.

Albee's "Zoo Story' at Villanova

The trouble with Edward Albee (and his characters, too)

Edward Albee's The Zoo Story may be historically important as the moment when American theater began to come out of the closet, but the play itself is dated, and difficult to perform convincingly unless played against the grain. In Joanna Rotté's spacious direction, it reveals some forgotten strengths, but also exposes inherent weaknesses.
Robert Zaller

Robert Zaller

Articles 8 minute read
Moriah Cebollero as Courtney Lee Wilson: A virtual life.

Whit MacLaughlin's "Fatebook' at Live Arts Festival (2nd review)

Theater of the future

I approached Fatebook's pre-production preparation with a degree of curmudgeonly skepticism. But I must admit: This show's fashioning of original art out of the newest social media modes of communication is a groundbreaking step into a theater of the future.
Jonathan M. Stein

Jonathan M. Stein

Articles 4 minute read

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Anything to shock the commissars. (Photo: Lukasz Gawronski.)

Gombrowicz's "Operetta' at Live Arts Festival (2nd review)

1960s Polish bombast

This relic of the Soviet bloc seeks to detonate all ideologies, with uneven results for a contemporary audience that rarely sees such anarchic bombast on stage.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
Warner: Echoes of Mstislav

Chamber Orchestra's Haydn concert

A provocative gesture

The Chamber Orchestra opens its season with a program that provokes ruminations: Who was Hubert Schoemaker? Why do we tend to equate fame with importance? And would you rather be an elephant or an antelope?
Tom Purdom

Tom Purdom

Articles 3 minute read
Strathairn, Thompson: Like a Dickens novel. (Photo: Mark Garvin.)

"Nathan the Wise' at People's Light (1st review)

A distant mirror in the Middle East

A modern translation of Gotthold Lessing's Nathan the Wise, an 18th-Century German fable about religious tolerance, receives a charming production at People's Light, with the noted stage and screen actor David Strathairn in the title role.

Bill Murphy

Articles 2 minute read
A universe of wealthy victims.

Roald Dahl's adult stories

Second helpings: Roald Dahl for grownups

Roald Dahl is famous for his offbeat children's stories, like Charlie and the Chocolate Factory. His adult tales, however, are far stranger— graceful and congenial, tightly constructed and as disturbing as Edna St. Vincent Millay's best sonnets.

Articles 4 minute read
'Self-Portrait With Masks' (1899): Bourgeois role-playing, with a twist.

James Ensor at Museum of Modern Art (2nd review)

The many masks of bourgeois death

The uncanny art of the proto-modernist James Ensor, in MoMA's first substantial exhibition of his work since 1951, reveals a prophetic artist who anticipated many of the 20th Century's horrors and who still speaks to the wired-up anomie of our present day.
Robert Zaller

Robert Zaller

Articles 6 minute read
Wommack’s ‘Cobalt Ridge’: Through a Levittown boyhood, darkly.

Rittenhouse Square's fall art show

Art and commerce, happy together

The Rittenhouse Square Fine Art Show simultaneously satisfies three constituencies: Folks shopping for something to hang over the sofa, seekers of genuine art, and people-watchers.
Judy Weightman

Judy Weightman

Articles 4 minute read