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Gutierrez: Elegant and precise.

Orchestra plays Mozart and Bruckner (1st review)

After perfection, what's next?

The Dutch-born conductor Jaap van Zweden performed Mozart's 19th Piano Concerto and Bruckner's Ninth Symphony in his debut with the Philadelphia Orchestra, with soloist Horacio Gutierrez giving a fine account of the Mozart. Van Zweden knows what he wants and mostly got it from the Orchestra, though the last, dying notes of the Bruckner were almost predictably fluffed in the horns.
Robert Zaller

Robert Zaller

Articles 5 minute read

Guston miniatures, in New York

The odd couple: Guston and Nixon

The McKee gallery's latest show of the late work of Philip Guston displays a different but striking aspect of this American master's genius: small oils that distill the remarkable imagery of his final decade in work of great power and originality. They are as well a portrait of the Nixon period, speaking truth to power in an era of lies.
Robert Zaller

Robert Zaller

Articles 5 minute read
Umoh: Audra's equal.

"Ragtime' revived in New York (1st review)

A second chance for Ragtime

The new budget-minded revival of Ragtime is apt and, in some scenes, provides more clarity than the 1998 original. But one particular economy disturbs me.
Steve Cohen

Steve Cohen

Articles 4 minute read
Giddings: Why not a one-woman show?

"boom' by Flashpoint Theatre

The end of the world (and a better idea)

Biology nerd meets nihilist, comet meets planet, and there's a middle-aged woman pulling the levers. Peter Sinn Nachtrieb's boom is often very funny, but the credit belongs to the actors, not his pretentious script.
Julius Ferraro

Julius Ferraro

Articles 4 minute read
Polonsky: Waiting for the verve.

Pianist Anna Polonsky at Fleisher

Polonsky aroused

The pianist Polonsky brings a determined personality to the keyboard, and her attack is so concentrated, and so vivid, that at one point the rocking of her body brought a flashback of the New Wave band Devo to mind.

Michael Woods

Articles 2 minute read
'Seamstress fitter,' London, 1950: From generation to generation.

Irving Penn's 'Small Trades' at the Getty Museum

Seen any knife grinders lately? Irving Penn's vanishing world

Irving Penn's "Small Trades," an elegiac look at the independent contractors of yore by the famous Vogue fashion photographer, is no mere exercise in social slumming, but a catalogue of professions rendered obsolete by an economy that, increasingly now, no longer creates but rather devours work.
Robert Zaller

Robert Zaller

Articles 4 minute read
'A painting come to vivid life.'

Philadanco's 40th anniversary

A night of happy heinies

Philadanco's 40th anniversary show made for a night of happy heinies”“ one of creation's cutest assets. Three of the four works on the program featured swaying, vibrating and bumpin' butts. Even the company's 77-year-old matriarch, Joan Myers Brown, gave her shapely rear a shake.
Merilyn Jackson

Merilyn Jackson

Articles 4 minute read
Breslin: The best choice?

Who should play Helen Keller?

Blind actors and blind alleys: Who should portray Helen Keller?

Inclusivity advocates are up in arms because a sighted, hearing celebrity actress has been hired to portray the blind and deaf Helen Keller in The Miracle Worker. They say they're concerned about creating better art, but their logic suggests otherwise.
Jim Rutter

Jim Rutter

Articles 5 minute read
Out of the darkness, seven flashes of clarity.

Jude Law as "Hamlet' on Broadway

Our latest Hamlet: What a piece of work is Jude Law

Jude Law, the latest in a seemingly endless line of Hamlets, is a deeply emotional Hamlet who wears his heart on his sleeve, holding nothing back. In the process he brings out all the colors and complexities of what it means to be a man today, or any day.

Carol Rocamora

Articles 5 minute read
Sidibe: With God (and Oprah) on her side.

"Precious': Ghetto fantasy film

Up from the ghetto (to Hollywood heaven)

Combining Horatio Alger and The Blackboard Jungle with a dash of Oprah, Precious examines the life of a desperately damaged black teenager in the Harlem of the 1980s. The message of moral uplift is as predictable as it is unconvincing.
Robert Zaller

Robert Zaller

Articles 6 minute read