Articles

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Danielle Skraastad as Suzanna, Jeremy Bobb as Max: Real problems, anyone?

"Becky Shaw' at the Wilma (2nd review)

Adults behaving like children, or: What would Oscar Wilde say?

If nothing else, Gina Gionfriddo's Becky Shaw demonstrates why a universal health care system shouldn't include free therapy— at least not for over-educated, uber-sensitive white people who've never faced a real problem in their lives and generate little in the way of taxable income.
Jim Rutter

Jim Rutter

Articles 6 minute read
Larger than you or I: Who says bigger isn't better?

Supersized drawings at Gallery Joe

Bring on the behemoths

So you think of drawings as small, quiet and intimate? In this show they speak in a big, bold contemporary voice.
Marilyn MacGregor

Marilyn MacGregor

Articles 2 minute read
Nauman's 'One Hundred Live and Die': What else is new?

The "death' of conceptual art

Is it art, or is it cost-efficient? My problem with conceptual art

Far from dying, conceptual art has become mainstream in the art world. And that's the problem: We've become inured to art that intends to shock. Thank goodness the once "academic" concerns of craftsmanship are again in vogue.
Victoria Skelly

Victoria Skelly

Articles 5 minute read
'Days' in the Alter Gallery: The guards roll their eyes, but...

Bruce Nauman's "Notations' at the Art Museum (2nd review)

The sensual pleasure of sound

Philadelphia's art critics and Art Museum guards sneer at Bruce Nauman's sound installations, but to Dan Coren they evoke the hip, modern sounds of beautiful music and cocktail conversation.
Dan Coren

Dan Coren

Articles 8 minute read
Kim and Calleja: Notes Netrebko couldn't reach.

"Tales of Hoffman' at the Met

Play it again, Jacques

Nit-picking critics have jumped on the Metropolitan Opera's new production of Tales of Hoffman for using a “discredited” version of the Offenbach score. A more valid criticism is the treatment of the opera's central character, which is key to our understanding of the composer himself.
Steve Cohen

Steve Cohen

Articles 6 minute read
Bloom, Garrett: An imperceptible gesture. (Photo: Jim Roese.)

"Becky Shaw' at the Wilma (1st review)

House of mirrors

This remarkably intelligent and moving play can't easily be pigeonholed as either a wicked comedy or a devastating psychodrama. Gina Gionfriddo's concern is the process by which human relationships change people for better or worse. Whether that makes you laugh or cry depends on your individual circumstances at a given moment.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Caryatids, from the rear: Impossible vantage points.

New Acropolis Museum in Athens

Disaster on the Acropolis

The new Acropolis Museum in Athens now houses, in addition to the artifacts of the old one, the marbles and statuary removed from the Parthenon to save them from the city's pollution. Unfortunately, the whole museum is a dud, and the tendentious display of the marbles only caps the fiasco.
Robert Zaller

Robert Zaller

Articles 8 minute read
Davis with 'her' kids in Kigali (Christian at right): What makes them smile?

Dancing for his life in Rwanda

Rwanda's dancing orphans— the sequel: One boy who fell through the cracks

Eighteen months ago I had the rare privilege of teaching dance to a unique group of orphans victimized by the 1994 genocide in Rwanda. When I returned last month I discovered that the sponsoring group has folded, the safe house is gone, and these kids are back on the streets of Kigali. The solution to their problem is costly by African standards— and piddling by ours.
Rebecca Davis

Rebecca Davis

Articles 4 minute read
To save the planet, move downtown.

David Owen's "Green Metropolis'

Do fence me in

A Connecticut suburbanite extols the environmental virtues of dense big cities.
Tom Purdom

Tom Purdom

Articles 3 minute read
'Giorni' (2009), sound installation in the Perelman annex: Do the guards get combat pay?

Bruce Nauman's "Notations' at the Art Museum (1st review)

Sound and fury: Bruce Nauman, recycled

Conceptual artist's Bruce Nauman's award-winning exhibition at last summer's Biennale in Venice has been drastically edited to focus only on Nauman's insights into the relationship between sound and the visual arts. The effect is overwhelming, but also been there-done that.

Anne R. Fabbri

Articles 3 minute read